This insightful study places African American women's stardom in
historical and industrial contexts by examining the star personae
of five African American women: Dorothy Dandridge, Pam Grier,
Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each
woman's celebrity as predicated on a brand of charismatic
authority, Mia Mask shows how these female stars have ultimately
complicated the conventional discursive practices through which
blackness and womanhood have been represented in commercial cinema,
independent film, and network television.
Mask examines the function of these stars in seminal yet
underanalyzed films. She considers Dandridge's status as a sexual
commodity in films such as "Tamango, " revealing the contradictory
discourses regarding race and sexuality in segregation-era American
culture. Grier's feminist-camp performances in sexploitation
pictures "Women in Cages" and "The Big Doll House" and her
subsequent blaxploitation vehicles "Coffy" and "Foxy Brown"
highlight a similar tension between representing African American
women as both objectified stereotypes and powerful, self-defining
icons. Mask reads Goldberg's transforming habits in "Sister Act"
and "The Associate" as representative of her unruly comedic
routines, while Winfrey's daily television performance as
self-made, self-help guru echoes Horatio Alger narratives of
success. Finally, Mask analyzes Berry's meteoric success by
acknowledging the ways in which Dandridge's career made Berry's
possible.
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