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Rites, Rights and Rhythms - A Genealogy of Musical Meaning in Colombia's Black Pacific (Hardcover) Loot Price: R2,729
Discovery Miles 27 290
Rites, Rights and Rhythms - A Genealogy of Musical Meaning in Colombia's Black Pacific (Hardcover): Michael...

Rites, Rights and Rhythms - A Genealogy of Musical Meaning in Colombia's Black Pacific (Hardcover)

Michael Birenbaum-Quintero

Series: Currents in Latin American and Iberian Music

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Loot Price R2,729 Discovery Miles 27 290 | Repayment Terms: R256 pm x 12*

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Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to perform the nation, to generate economic development and to provide social amelioration in a context of war. Author Michael Birenbaum Quintero draws on both archival and ethnographic research to trace these and other understandings of how currulao has been understood, illuminating a history of struggles over the meanings of currulao that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, Rites, Rights & Rhythms asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere's most important and understudied black cultures and a theory of history traced through the performative practice of currulao.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Series: Currents in Latin American and Iberian Music
Release date: December 2018
Authors: Michael Birenbaum-Quintero (Assistant Professor of Music)
Dimensions: 238 x 164 x 23mm (L x W x T)
Format: Hardcover
Pages: 336
ISBN-13: 978-0-19-991392-3
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Social sciences > Sociology, social studies > Ethnic studies > General
Books > Social sciences > Sociology, social studies > Anthropology > Social & cultural anthropology > General
Books > Music > Theory of music & musicology > General
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LSN: 0-19-991392-7
Barcode: 9780199913923

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