Just what was so wild about the Wild West?
Americans have had an enduring yet ambivalent obsession with the
West as both a place and a state of mind. Now one of the most
knowing observers of the Western scene offers a monumental cultural
and historical analysis of how ideas of wildness have shaped the
ways Euro-Americans have perceived, reacted to, and acted upon the
West for nearly five hundred years. Bringing the sensibility of a
poet to a sweeping discussion of place, Michael L. Johnson
considers how that obsession originated, how it has determined
attitudes toward and activities in the West, and how it has changed
over the centuries.
Investigating views of Western wildness from pre-European times
until the present, Johnson tells how explorers and settlers bent on
exploiting the West brought with them Old World ideas, full of
muddled and even bizarre contradictions, that have defined the
region in its most fundamental aspects. And he shows how those
contradictory ideas were woven into an ambivalent ideology of
conquest that has given us today's degraded wilderness areas,
overtaxed water supplies, and sprawling suburbs.
Brimming with word-play, personal anecdotes, and telling
vignettes, Hunger for the Wild provocatively addresses a cornucopia
of Western personalities, phenomena, and events. Invoking a vast
array of writers and thinkers-from Claude Lvi-Strauss to Black Elk
to Richard Etulain-Johnson casts his critical eye on conquistadors
and cowboys and revisits myths of Noble Savage and "red devil"
alike. His kaleidoscopic text examines Dust Bowl woes and Wild West
shows, and whether contemplating the Disneyfied frontier or the
Ralphlaurenized range, he takes readers on an intellectual romp
through the wilds of the contemporary West, with its UFO fanatics
and postregional cowgirls.
Emphasizing his call for seeing the West as "a place of roots as
well as routes," Johnson's tour de force marks a major contribution
to the deeper history of the region and points toward a more
sustainable West for the future. It should interest not only
Western historians but also art and film buffs, ecocritics,
cross-cultural specialists, and rodeo fans-anyone fascinated by the
wild, Western-style.
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