Gabriele D'Annunzio was one of the most flamboyant figures in the
political history of modern Europe. A poet in the Byronic style and
a popular hero of the First World War, D'Annunzio passionately
believed that the sacrifices of war should prelude a new social
order. His capture of the city of Fiume in 1919, which had been
claimed by Italy as part of the settlement before the Versailles
Peace Conference, has been popularized and romanticized ever since.
Ledeen uses information gathered from Italian and American archives
and from personal interviews to examine the sixteen months of
D'Annunzio's personal rule in Fiume, seeing it as a harbinger of
successful mass movements of the twentieth century. The connection
between D'Annunzio and Fascism is central to Ledeen's narrative.
Virtually the entire ritual of Fascist politics made familiar by
Mussolini-the balcony address, the Roman salute, the dramatic
dialogues with the crowd, the use of religious symbols in a new
secular setting-was influenced by D'Annunzio at Fiume. Both were
masters of a political style based on personal charisma. Each spoke
for a "new" Italy and, eventually, for a new world. Each attempted
to transform his countrymen into more heroic types by an ethic of
violence and grandeur. But Ledeen brings sharply into focus
profound differences between D'Annunzio's vision of a new world and
that offered by Fascism. Significantly, D'Annunzio enlisted support
from the most diverse elements of society-politicians and
businessmen in addition to representatives of radical trade unions,
anarchist groups, and the armed forces. Often sensationalized as a
precursor of a sixties-style "dolce vita," D'Annunzio's Fiume
presented many of the phenomena considered novel or unsettling
today: sexual promiscuity, widespread experimentation with drugs,
clergymen wanting to marry, women demanding equal rights, youth
calling for the elimination of the old, soldiers insisting on a
democratic army, poets yearning for a beautiful world instead of a
purely utilitarian one, minorities clamoring for their fair share
of political power. From the dispassionate distance of half a
century, Ledeen views Fiume as a microcosm of the larger chaos of
our contemporary scene. Although he was removed from Fiume after a
pitched battle on land and sea, D'Annunzio remained an influential
figure in Italian politics. Ledeen presents him as "one of the
great innovators and watersheds of the modern world." This book
will be of interest to historians, political scientists, and those
interested in Post World War I Italy. An authority on Italian
fascism and contemporary Europe, Michael A. Ledeen is Resident
Scholar at the American Enterprise Institute in Washington. In
addition to being a frequent contributor to The New Republic, The
American Spectator, and 11 Giornale (Milan), he is the author of 15
books on contemporary history and politics.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Release date: |
August 2017 |
First published: |
2002 |
Authors: |
Michael Ledeen
|
Dimensions: |
229 x 152mm (L x W) |
Format: |
Hardcover
|
Pages: |
244 |
Edition: |
2nd edition |
ISBN-13: |
978-1-138-52194-0 |
Categories: |
Books >
Humanities >
History >
General
Books >
History >
General
Promotions
|
LSN: |
1-138-52194-9 |
Barcode: |
9781138521940 |
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