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Austria as Theater and Ideology - The Meaning of the Salzburg Festival (Paperback)
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Austria as Theater and Ideology - The Meaning of the Salzburg Festival (Paperback)
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Austria's renowned Salzburg Festival has from the outset engaged
issues of cultural identity in a country that has difficulty coming
to terms with its twentieth-century history. That this is the case
was especially apparent in 1999, when the Austrian president opened
the festival with a speech attacking its profile under the
direction of Gerard Mortier and calling for a return to the ideals
of its spiritual founder, Hugo von Hofmannsthal. This proved the
opening shot in a renewed debate about the direction of the
Festival, which is in fact a debate about the identity of Austria
itself. The issues posed foreshadowed the uproar that erupted
several months later when Joerg Haider's right-wing Freedom Party
joined a coalition with the conservative People's Party, wresting
control of the government from the Socialists and provoking the
wrath of Austria's partners within the European Union. What
accounts for the profound intellectual and cultural ambivalences
that have characterized Austrian history in the twentieth
century?In this highly regarded book, Michael P. Steinberg
investigates the goals and meanings of the Salzburg Festival from
its origins in the wake of defeat in World War I and the collapse
of the Habsburg Empire. He focuses on those aspects that reveal
with special clarity the interplay between the Festival's history
and the larger problems of Austrian and German ideology and
identity. At the heart of his analysis is the problem of
"nationalist cosmopolitanism," which he sees as a central element
of German and Austrian culture from the period of the German
enlightenment on. He shows how the Festival sought to embody and
extend this paradoxical tradition and, in the Preface to the
Cornell Paperbacks edition, explores the latest chapter in the
Austrian culture wars. Steinberg's book is at once a brilliant
history of an important cultural institution and a work that
deepens our understanding of the unstable relationship between
culture and politics in Europe at the beginning of the twenty-first
century.
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