Michel Pastoureau's lively study of stripes offers a unique and
engaging perspective on the evolution of fashion, taste, and visual
codes in Western culture.
"The Devil's Cloth" begins with a medieval scandal. When the
first Carmelites arrived in France from the Holy Land, the
religious order required its members to wear striped habits,
prompting turmoil and denunciations in the West that lasted fifty
years until the order was forced to accept a quiet, solid color.
The medieval eye found any surface in which a background could not
be distinguished from a foreground disturbing. Thus, striped
clothing was relegated to those on the margins or outside the
social order -- jugglers and prostitutes, for example -- and in
medieval paintings the devil himself is often depicted wearing
stripes. The West has long continued to dress its slaves and
servants, its crewmen and convicts in stripes.
But in the last two centuries, stripes have also taken on new,
positive meanings, connoting freedom, youth, playfulness, and
pleasure. Witness the revolutionary stripes on the French and
United States flags. In a wide-ranging discussion that touches on
zebras, awnings, and pajamas, augmented by illustrative plates, the
author shows us how stripes have become chic, and even, in the case
of bankers' pin stripes, a symbol of taste and status. However,
make the stripes too wide, and you have a gangster's suit -- the
devil's cloth indeed
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