This volume is based on the recognition that heritage is popular
and popular culture is now readily transformed into heritage whose
meanings and myths reshape social life and political and economic
realities as well as re-make "tradition." The papers in this volume
consider: What does popular heritage look like? To whom does it
speak? Is it active in dissolving class and cultural boundaries or
just in reproducing new ones? How do societies manage a heritage
that is fluid, immediate and that straddles extremes of serious
conflict and hedonistic frivolity? When/under what circumstances is
the creation and expression of new cultural forms - popular culture
- capable of being transformed into heritage?.
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