A celebrated Franco-Czech novelist considers the history of the
novel and worries about its future.Kundera (Ignorance, 2002, etc.)
begins by observing that there were no novels until stories began
to have aesthetic value. One of the novel's principal functions, he
claims, is to explore the prose of life. "All we can do in the face
of that ineluctable defeat called life is to try to understand it,"
he writes. Kundera repeatedly considers literary history, and he
shows how the past has influenced the present. Don Quixote, Tom
Jones, Madame Bovary, Anna Karenina, The Trial, Ulysses-these and
other celebrated works are mined throughout for their explanatory
and illustrative riches. Kundera believes that readers of
literature must be readers of comparative literature: to read only
those works that mirror your own culture and language is to
intentionally blind yourself. Kundera alludes to novels and
novelists from all over the word (though most are European men). He
explains the title of his book in its fourth section: Novelists
must devote themselves to "tearing the curtain of
preinterpretation." This section also features something of a rant
against pop fiction; Kundera labels "contemptible" those writers
who create repetitive fictions that deal with the ephemeral. In
later sections, he offers some insights on the pervasiveness of
human stupidity and bureaucracy, and he ends with eloquent passages
about our separation from the past-how forgetting and memory, which
transforms rather than records, make more difficult the novelist's
task.On bright display are Kundera's vast reading, his passion for
his art and his disdain for the ordinary. (Kirkus Reviews)
In this entertaining and stimulating essay, one of world
literature's most distinctive thinkers sets out his personal view
of the history and value of the novel in Western civilization. Too
often, Kundera suggests, a novel is thought about only within the
confines of the language and nation of its origin, when in fact
what makes a novel matter is its ability to reveal some previously
unknown aspect of our existence. Kundera describes how the best
novels, from Don Quixote to Ulysses and Madame Bovary to The Trial,
do just that.
General
Imprint: |
Faber and Faber
|
Country of origin: |
United Kingdom |
Release date: |
March 2007 |
Authors: |
Milan Kundera
|
Translators: |
Linda Asher
|
Dimensions: |
199 x 131 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
176 |
Edition: |
Main |
ISBN-13: |
978-0-571-23281-9 |
Categories: |
Books
|
LSN: |
0-571-23281-7 |
Barcode: |
9780571232819 |
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