Reflecting distinct and important stages in the career of the
preeminent Algerian writer Mohammed Dib, ""At the Cafe" and "The
Talisman"" brings together two collections that embroider on themes
relating to the Algerian War for Independence (1954-1962). "At the
Cafe, " published in 1955, is mostly realistic in style and
illustrates particularly well Dib's uncanny talent for
storytelling. "The Talisman, " published eleven years later,
reflects Dib's growing penchant for relating his perception of the
magical or mystical qualities underlying everyday reality.
When he wrote "At the Cafe, " Dib felt it was his duty to
witness or testify on behalf of the downtrodden of Algeria under
French colonial rule. Three stories in this collection--"Little
Cousin," "A Fine Wedding," and "The Long Wait"--poignantly describe
the rampant poverty, hunger, sickness, and despair that prevailed
under French rule. In others, such as the titular story and
"Forbidden Lands," Dib gives a voice to those who had been silenced
but who were slowly learning to make themselves heard. On the eve
of the war for independence, Dib felt obligated--as does the
protagonist, Djeha, in "The Companion"--to take a stand on
affirming one's role within the community and take action.
In "The Talisman, " Dib no longer feels the need to testify.
Although colonialism and the brutality of war are still central
threads, his treatment of them in this collection is more
scathingly critical. Dib's style also shifts from the naturalism
dominant in his earlier writing, showing a marked interest in the
fantastic or magical. The under-lying themes in this collection
take up, among other things, an obsession with the experience of
death, a fascination with madness, the decrypting of symbols, the
quest for a primordial language, and the possibilities of spiritual
transcendence.
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