This volume brings together a group of essays that examine the
relationship between philosophy and literature - disciplines that
have been opposed as often as they have been combined. While the
focus is primarily on the plays of Shakespeare, there is a lengthy
essay on the use of the style term maniera in art history, and a
concluding survey and analysis of the relationship between
philosophy and literature, from Plato to the present. The author
applies the theory of meaning and logical analysis to contemporary
problems in the arts and aesthetics.
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