Moshe Barasch, an authority on art theory, tackles the complex
question of how art works as language. Barasch shows how, once an
art work is seen and understood, a new, communicative function is
effectively added to the work. In an engaging style Barasch moves
from the art and civilization of Ancient Egypt to that of modern
Europe, and effortlessly shows a full and surprising range of
language in art--from the magical to the impious, from the
ambiguous to the didactic, from the scientific to the
propagandistic. Barasch contemplates a variety of mediums including
sculpture, painting, mural, statuary, woodcuts, bas-relief, even
music. Over one hundred illustrations are included as an integral
part of the discussion.
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