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Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba (Hardcover, New Ed)
Loot Price: R4,579
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Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba (Hardcover, New Ed)
Series: SOAS Studies in Music
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The 'Special Period' in Cuba was an extended era of economic
depression starting in the early 1990s, characterized by the
collapse of revolutionary values and social norms, and a way of
life conducted by improvised solutions for survival, including
hustling and sex-work. During this time there developed a thriving,
though constantly harassed and destabilized, clandestine gay scene
(known as the 'ambiente'). In the course of eight visits between
1995 and 2007, the last dozen years of Fidel Castro's reign, Moshe
Morad became absorbed in Havana's gay scene, where he created a
wide social network, attended numerous secret gatherings-from
clandestine parties to religious rituals-and observed patterns of
behavior and communication. He discovered the role of music in this
scene as a marker of identity, a source of queer codifications and
identifications, a medium of interaction, an outlet for emotion and
a way to escape from a reality of scarcity, oppression and despair.
Morad identified and conducted his research in different types of
'musical space,' from illegal clandestine parties held in changing
locations, to ballet halls, drag-show bars, private living-rooms
and kitchens and santeria religious ceremonies. In this important
study, the first on the subject, he argues that music plays a
central role in providing the physical, emotional, and conceptual
spaces which constitute this scene and in the formation of a new
hybrid 'gay identity' in Special-Period Cuba.
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