This book explores the ways that pre-existing national works or
national theatre sites can offer a rich source of material for
speaking to the contemporary moment because of the resonances or
associations they offer of a different time, place, politics, or
culture. Featuring a broad international scope, it offers a series
of thought-provoking essays that explore how playwrights,
directors, theatre-makers, and performance artists have re-staged
or re-worked a classic national play, performance, theatrical form,
or theatre space in order to engage with conceptions of and
questions around the nation, nationalism, and national identity in
the contemporary moment, opening up new ways of thinking about or
problematizing questions around the nation and national identity.
Chapters ask how productions engage with a particular moment in the
national psyche in the context of internationalism and
globalization, for example, as well as how productions explore the
interconnectivity of nations, intercultural agendas, or
cosmopolitanism. They also explore questions relating to the
presence of migrants, exiles, or refugees, and the legacy of
colonial histories and post-colonial subjectivities. The volume
highlights how theatre and performance has the ability to contest
and unsettle ideas of the nation and national identity through the
use of various sites, stagings, and performance strategies, and how
contemporary theatres have portrayed national agendas and
characters at a time of intense cultural flux and
repositioning.
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