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Paul Bekker's Musical Ethics (Hardcover)
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Paul Bekker's Musical Ethics (Hardcover)
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German music critic and opera producer Paul Bekker (1882-1937) is a
rare example of a critic granted the opportunity to turn his ideas
into practice. In this first full-length study of Bekker in
English, Nanette Nielsen investigates Bekker's theory and practice
in light of ethics and aesthetics, in order to uncover the ways in
which these intersect in his work and contributed to the cultural
and political landscape of the Weimar Republic. By linking
Beethoven's music to issues of freedom and individuality, as he
argues for its potential to unify the masses, Bekker had already in
1911 begun to construct the ethical framework for his musical
sociology and opera aesthetics. Nielsen discusses some of the
complex (and conflicting) layers of modernism and conservatism in
Bekker that would have a continued presence in his work and its
reception throughout his career. Bekker's demands for a 'practical
ethics' led to his criticisms of metaphysically grounded approaches
to aesthetics, and his ethical views are put into further relief in
a sketch of the development of his music phenomenology in the
1920s. Nielsen unravels the complex intersections between Bekker's
ethics and his opera aesthetics in connection with his practice as
an Intendant at the Wiesbaden State Theatre (1927-1932), offering a
critical reading of an opera staged during his tenure: Hugo
Herrmann's Vasantasena (1930). Further works are considered in
light of the theoretical framework underpinning the book, inspired
by several intersections between ethics and aesthetics encountered
in Bekker's work.
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