From the diverse proto-theatres of the mid-1800s, though the
revues of the 20s, the true musicals of the 40s, the politicisation
of the 60s and the mega-musicals of the 80s, every era in American
musical theatre reflected a unique set of socio-cultural
factors.
Nathan Hurwitz uses these factors to explain the output of each
decade in turn, showing how the most popular productions spoke
directly to the audiences of the time. He explores the function of
musical theatre as commerce, tying each big success to the social
and economic realities in which it flourished.
This study spans from the earliest spectacles and minstrel shows
to contemporary musicals such as Avenue Q and Spiderman. It traces
the trends of this most commercial of art forms from the
perspective of its audiences, explaining how staying in touch with
writers and producers strove to stay in touch with these changing
moods. Each chapter deals with a specific decade, introducing the
main players, the key productions and the major developments
in musical theatre during that period. "
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