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Anywhere out of the World - Essays on Travel, Writing, Death (Hardcover, New) Loot Price: R904
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Anywhere out of the World - Essays on Travel, Writing, Death (Hardcover, New): Nicholas Delbanco

Anywhere out of the World - Essays on Travel, Writing, Death (Hardcover, New)

Nicholas Delbanco

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List price R1,005 Loot Price R904 Discovery Miles 9 040 | Repayment Terms: R85 pm x 12* You Save R101 (10%)

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A delightfully aimless, somewhat rueful collection of nine essays on places visited and friends lost. Novelist/memoirist Delbanco (The Lost Suitcase, 2000, etc.; Writing/Univ. of Michigan) is a writer's writer, always in search of a fresh story, turn of phrase, or book to read-indeed you can read his essays in great part for the gallery of titles he lists in each. He titles his own collection after a phrase from Baudelaire ("n'importe o hors du monde") and begins with an old-fashioned defense of imitation as "the route-not perhaps the only route, but a well-traveled one-to originality." Writing, he believes, is an act of discovery, recounting everything from the epic movement of people to a personal transformation. In the eponymous essay, Delbanco regrets the "wide-eyed and improvisational" style of such intrepid early travel writers as Marco Polo or Mary Kingsley, who truly ventured out to discover terra incognita. By contrast, he finds, modern travel writing has more to do with recovery: "the writer reports on information gained or innocence long lost." Modeling himself after the earlier form in "Letter from Namibia," Delbanco recounts a visit he made as a young man in the late 1960s to an isolated African farm, diligently cataloguing the plethora of curious animals, the daily workings of the farm, and the personalities he met. "Northern Lights" ambles through literature by writers such as Dinesen, Conrad, and Nabokov, who found their voices by delving into raw and unfamiliar worlds. "The Dead" contains cameo appearances by several deceased mates; Delbanco describes his friendship with writer John Gardner, as well as a hilarious 1973 luncheon with James Baldwin and his flamboyant entourage in Provence. "On Daniel Martin" is a close reading of John Fowles's novel, while "Strange Type" meditates on the richly ambivalent meanings offered by inadvertently transposed letters. Overall, the collection makes up in quirkiness what it lacks in cohesion. A Guide Bleu for the literary armchair. (Kirkus Reviews)

Nicholas Delbanco--who, John Updike says, "wrestles with the abundance of his gifts as a novelist the way other men wrestle with their deficiencies"--ventures forth to discover and illuminate various writers and places. In this follow-up to his acclaimed "The Lost Suitcase," Delbanco weaves varied reflections to reveal a singular understanding of the relationships among literature, the past, and the world around us.

Describing trips to such diverse destinations as Namibia; Afghanistan; Bellagio, Italy; and the Bellagio in Las Vegas, Delbanco conveys the wonder and the apprehension of visiting new places. However, he goes beyond commonplace travelogues, examining our desire to travel and to write and read about distant lands. In the title essay, which surveys the state of travel and travel writing in a world that has grown smaller and less strange, he explores the continuing allure of new locales and the ways in which familiar places change in our imagination over time.

Delbanco's reflections on literature look to past writers and literary traditions as a way of enriching the present. Delbanco begins by asking us to reconsider society's infatuation with novelty and proposes the paradoxical notion of imitation as a source of originality. Remembering his friendships with two colorful departed figures, John Gardner and James Baldwin, and celebrating the now somewhat--and regrettably--neglected works of John Fowles and Ford Madox Ford, he pays tribute to these writers' generosity of spirit and commitment to literature.

In "Strange Type," Delbanco explores his own recent brush with death. Here too, he draws on a range of subjects and reflections, describing his recovery from heart problems via a poem by Malcolm Lowry, the surprising persistence of typos despite advances in word-processing technology, and Ernest Hemingway as literary celebrity.

General

Imprint: Columbia University Press
Country of origin: United States
Release date: March 2005
First published: March 2005
Authors: Nicholas Delbanco
Dimensions: 250 x 150 x 19mm (L x W x T)
Format: Hardcover - Trade binding
Pages: 208
Edition: New
ISBN-13: 978-0-231-13384-5
Categories: Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > General
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LSN: 0-231-13384-7
Barcode: 9780231133845

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