From cinema s beginnings, the film image of the "Jew" has
closely followed the fortunes and misfortunes of Jews. Analyzing
more than 70 films made in the Soviet Union, Poland, Hungary,
Czechoslovakia and the Czech Republic, East and West Germany,
France, Italy, the United States, and Israel from 1920 to the
1990s, noted historian Omer Bartov argues that depictions of the
"Jew" in film have been fed by, or have reacted to, certain
stereotypical depictions of Jews arising from age-old prejudices.
These images, in turn, both reflected public attitudes and helped
to shape them. He points to Mel Gibson s film The Passion of the
Christ as one of the most recent examples of the phenomenon. In
trenchant discussions of individual films, Bartov develops four
basic cinematic representations of the "Jew": as perpetrator
(especially in antisemitic films), as victim (especially in films
about the Holocaust), as hero (especially in films about the state
of Israel), and as anti-hero (especially in films about the
Arab-Israeli conflict).
This absorbing book reveals the ways in which powerful images
remained deeply embedded in the creative imagination, even as the
circumstances that originally engendered them underwent profound
changes. Bartov concludes that some of the fundamental prejudices
about Jews, which predate cinema, persisted in cinematic depictions
throughout the 20th century, although they have been reinterpreted
according to changing political regimes, ideologies, and tastes.
Covering a range of traditions and periods, The "Jew" in Cinema
provides original and provocative interpretations that often
contradict conventional views. Placing cinematic representations of
the "Jew" within their historical context, Bartov demonstrates the
powerful political, social, and cultural impact of these images on
popular attitudes.
The Helen and Martin Schwartz Lectures in Jewish Studies"
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