In the 1920s, German-Swiss artist Paul Klee (1879-1940) began his
long-lasting engagement with polyphonic art-multi-voiced way of
painting analogous to music. A relentless experimenter, Klee began
these studies while teaching at the Bauhaus in Dessau, developed
them further during his tenure at the art academy in Dusseldorf,
and brought them to conclusion after his return to Switzerland in
1933. In this book, distinguished art historian Oskar Batschmann
explores Klee's seminal painting Ad Parnassum (1932). Painted
shortly after the artist's departure from the Bauhaus, it
symbolises a new era, also one of Klee's own self-discovery.
Batschmann documents how the artist strove for a connection of
music and painting in his colour hues and in the rhythmic movement
of coloured dots. Richly illustrated, this book places Klee's
polyphonic understanding of art in an art-historical context by
using this key work and offers insight into the synesthetic
thinking that emerged in the art world during that time. Text in
English and German.
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