This volume presents a multidisciplinary perspective on dance
scholarship and practice as they have evolved in India and its
diaspora, outlining how dance histories have been written and
re-written, how aesthetic and pedagogical conventions have changed
and are changing, and how politico-economic shifts have shaped
Indian dance and its negotiation with modernity.. Written by
eminent and emergent scholars and practitioners of Indian dance,
the articles make dance a foundational socio-cultural and aesthetic
phenomena that reflects and impacts upon various cultural
intercourses -- from art and architecture to popular culture, and
social justice issues. They also highlight the interplay of various
frameworks: global, national, and local/indigenous for studying
these diverse performance contexts, using dance as a critical lens
to analyse current debates on nationalism, transnationalism, gender
and sexuality, and postcolonial politics. At the performace level,
some articles question the accepted divisions of Indian dance
(?classical?, ?folk?, and ?popular?) and critique the dominant
values associated with classical dance forms. Finally, the book
brings together both experiential and objective dimensions of
bodily knowledge through dance.
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