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Seeing the New South - Race and Place in the Photographs of Ulrich Bonnell Phillips (Hardcover)
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Seeing the New South - Race and Place in the Photographs of Ulrich Bonnell Phillips (Hardcover)
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Ulrich Bonnell Phillips (1877 -1934) established a reputation as
one of the early twentieth century's foremost authorities on the
history of African American slavery and the Old South. An
empiricist, Phillips approached his subjects analytically and
dispassionately, and his scholarship shaped historical
investigation of the South for decades. Phillips was an empiricist
and based his writing on an array of primary sources, including a
growing collection of photographs he accumulated during his
research. These images of plantation crops and machinery,
agricultural scenes, distinctive architecture, white southerners,
and former slaves and their descendants collectively record much
about the life and labor in the rural South three decades before
the Farm Security Administration undertook its own documentary
projects during the New Deal.
In Seeing the New South, photography historian Patricia Bixel and
Phillips scholar and historian John David Smith delve into the
visual record Phillips left behind, publishing many of these
photographs for the first time and integrating his photographic
archive with his research and teachings on the history of the
South. For example, his Life and Labor in the Old South, published
in 1929, was well illustrated with useful photographs. The bulk of
Phillips's papers resides in the Sterling Memorial Library at Yale
University. The collection includes sixty lantern slides and many
photographic prints that Phillips employed in his work. Bixel and
Smith uncovered another five hundred images that greatly expanded
Phillips's visual archive. Taken between 1904 and 1930, these
images provide glimpses of a Southern landscape rarely seen and
even more rarely photographed, offering a striking visual account
of early-twentieth-century life in the rural South.
Phillips deliberately sought out images of buildings and
agricultural scenes emblematic of the South, representative
portraits of white and black southerners, and distinctive
depictions of farm and town life. Some photographs reinforce
Phillips's arguments about the general backwardness of an
impoverished rural South and about the limitations of the region's
agricultural and industrial economies. But his images also
documented active independent black and white communities with
diverse economic practices and subcultures. This first-ever
collection of Phillips's photographs provides dramatic
documentation of economic and social life during an era seldom
captured on film, yielding striking visual portraits of human
dignity in black and white.
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