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The Liberation of Painting - Modernism and Anarchism in Avant-Guerre Paris (Hardcover)
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The Liberation of Painting - Modernism and Anarchism in Avant-Guerre Paris (Hardcover)
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The years before World War I were a time of social and political
ferment in Europe, which profoundly affected the art world. A major
center of this creative tumult was Paris, where many avant-garde
artists sought to transform modern art through their engagement
with radical politics. In this provocative study of art and
anarchism in prewar France, Patricia Leighten argues that anarchist
aesthetics and a related politics of form played crucial roles in
the development of modern art, only to be suppressed by war fever
and then forgotten.
Leighten examines the circle of artists--Pablo Picasso, Juan Gris,
Frantisek Kupka, Maurice de Vlaminck, Kees Van Dongen, and
others--for whom anarchist politics drove the idea of avant-garde
art, exploring how their aesthetic choices negotiated the myriad
artistic languages operating in the decade before World War I.
Whether they worked on large-scale salon paintings, political
cartoons, or avant-garde abstractions, these artists, she shows,
were preoccupied with social criticism. Each sought an appropriate
subject, medium, style, and audience based on different conceptions
of how art influences society--and their choices constantly shifted
as they responded to the dilemmas posed by contradictory anarchist
ideas. According to anarchist theorists, art should expose the
follies and iniquities of the present to the masses, but it should
also be the untrammeled expression of the emancipated individual
and open a path to a new social order. Revealing how these ideas
generated some of modernism's most telling contradictions among the
prewar Parisian avant-garde, "The Liberation of Painting" restores
revolutionary activism to the broader history of modern art.
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