Philosophers working on aesthetics have paid considerable attention
to art and artists of the early modern period. Yet early modern
artistic practices scarcely figure in recent work on the emergence
of aesthetics as a branch of philosophy over the course the
eighteenth century. This book addresses that gap, elaborating the
extent to which artworks and practices of the fifteenth through the
eighteenth centuries were accompanied by an immense range of
discussions about the arts and their relation to one another.
Rather than take art as a stand-in for or reflection of some other
historical event or social phenomenon, this book treats art as a
phenomenon in itself. The contributors suggest ways in which
artworks and practices of the early modern period make aesthetic
experience central to philosophical reflection, while also showing
art’s need for philosophy.
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