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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General

Lives of Rembrandt (Paperback, 2nd Revised edition): Filippo Baldinucci, Joachim Von Sandrart, Arnold Houbraken Lives of Rembrandt (Paperback, 2nd Revised edition)
Filippo Baldinucci, Joachim Von Sandrart, Arnold Houbraken; Edited by Charles Ford
R209 R192 Discovery Miles 1 920 Save R17 (8%) Shipped within 7 - 12 working days

Rembrandt Harmensz. van Rijn (c.1606-1669) was the most talked-about painter of the seventeenth century - and quite possibly of the following centuries too. His prodigious talent, extraordinary emotional truth, and reckless disregard of artistic convention astonished, delighted and often dismayed his contemporaries; and the full gamut of these reactions is revealed in the three early bio-graphies published here for the first time in their entirety in English. Sandrart, a German painter and writer on painting, actually knew Rembrandt in Amsterdam; Baldinucci, also an artist contemporary with Rembrandt, was one of the greatest early connoisseurs of prints; and Arnold Houbraken, who studied under some of Rembrandt's pupils, wrote the earliest major biographical account of the artists of Holland. These extraordinary documents give a vivid picture of Rembrandt's shattering impact on the art world of his time - not only as a painter, but as a supremely successful manipulator of the market, a dangerous example to the young, and an unavoidable challenge to any sense of decorum and rule-giving.Rooted firmly in the 17-century realities of Rembrandt's life, they bring into sharper focus the qualities of originality and psychological acuity that remain Rembrandt's trademark to this day. The introduction by Charles Ford situates these biographies in the context of seventeenth-century appreciation of art, and the trajectory of Rembrandt's career. The translations have been specially prepared for this edition by Charles Ford, aided by Ulrike Kern and Francesca Migliorini, and in part following the work of Tancred Borenius.

London - Prints & Drawings before 1800 (Hardcover): Bernard Nurse London - Prints & Drawings before 1800 (Hardcover)
Bernard Nurse
R747 R694 Discovery Miles 6 940 Save R53 (7%) Shipped within 7 - 12 working days

By the end of the eighteenth century London was the second largest city in the world, its relentless growth fuelled by Britain's expanding empire. Before the age of photography, the most widely used means of creating a visual record of the changing capital was through engravings and drawings, and those that survive today are invaluable in showing us what the capital was like in the century leading up to the Industrial Revolution. This book contains over one hundred images of the Greater London area before 1800 from maps, drawings, manuscripts, printed books and engravings, all from the Gough Collection at the Bodleian Library. Examples are drawn from the present Greater London to contrast town and countryside at the time. Panoramas of the river Thames were popular illustrations of the day, and the extraordinarily detailed engravings made by the Buck brothers are reproduced here. The construction, and destruction, of landmark bridges across the river are also shown in contemporary engravings. Prints made of London before and after the Great Fire show how artists and engravers responded to contemporary events such as executions, riots, fires and even the effects of a tornado. They also recorded public spectacles, creating beautiful images of firework displays and frost fairs on the river Thames. This book presents rare material from the most extensive collection on British topography assembled in this period by a private collector, providing a fascinating insight into life in Georgian London.

Epic Landscapes - Benjamin Henry Latrobe and the Art of Watercolor (Hardcover): Julia A. Sienkewicz Epic Landscapes - Benjamin Henry Latrobe and the Art of Watercolor (Hardcover)
Julia A. Sienkewicz
R1,468 Discovery Miles 14 680 Shipped within 7 - 11 working days
Legacy of the Masters: Islamic Painting and Calligraphy (Hardcover): Will Kwiatkowski Legacy of the Masters: Islamic Painting and Calligraphy (Hardcover)
Will Kwiatkowski
R1,136 R782 Discovery Miles 7 820 Save R354 (31%) Shipped within 7 - 12 working days

A stunning collection, accumulated over many years, of paintings, drawings and calligraphy of the highest quality mostly created for albums from the Safavid, Uzbek, Ottoman and Mughal Empires from the 16th to early 19th century. Lavishly illustrated, this unusually exquisite and scholarly book is a noteworthy addition to its field. This publication presents a collection of over sixty paintings, drawings and calligraphic specimens mostly made in the Safavid, Uzbek, Ottoman and Mughal Empires in the period from the 16th through the early 19th century for inclusion in albums (muraqqa`). The compilation of these albums, involving the collection and ordering of the works to be included as well as the design and execution of decorative borders, was an art form in itself and amounted to a broader cultural phenomenon that has increasingly become the focus of scholarly attention. This was the age of the master artist, whose work was eagerly sought by collectors, imitated by admirers and forgers, taken as loot by invaders, and exchanged as gifts that had value across political borders. The international currency of a master artist's work is particularly apparent in the case of the calligrapher Mir `Ali of Herat (d. 1544), whose calligraphies were almost obsessively sought out by the Mughal rulers of India and provided a model for subsequent generations of calligraphers in India and Iran. In Iran, Shah `Abbas' new capital of Isfahan was the breeding ground for a generation of artists specialized in single-page calligraphic compositions, paintings and drawings, often working in distinctive styles. These included calligraphers such as Mir `Imad al-Hasani and `Ali Riza `Abbasi, and painters like Riza `Abbasi, Muhammad Qasim and, later, Mu'in Musavvir. The processes of collection and compilation were complex, as albums were gifted and reassembled to suit the tastes and outlook of new owners. An eloquent example of this ongoing evolution is the famous St. Petersburg Album. Compiled and given decorative borders in Iran in the mid-18th century, the album contains a number of Mughal and Deccani paintings and drawings presumed to have been taken to Iran as plunder by Nadir Shah following the invasion of India in 1739. The end of this tradition is marked in the publication by a number of works from Mughal-style albums of calligraphy and painting acquired by officers and administrators of the British East India Company such as Warren Hastings and William Fraser.

Landscape, Innovation, and Nostalgia - The Manton Collection of British Art (Hardcover, New): Jay A. Clarke Landscape, Innovation, and Nostalgia - The Manton Collection of British Art (Hardcover, New)
Jay A. Clarke; Contributions by Tim Barringer, Ann Bermingham, David Blayney Brown, Antony Griffiths, …
R1,104 R1,012 Discovery Miles 10 120 Save R92 (8%) Shipped within 7 - 12 working days

Business leader and arts patron Sir Edwin A. G. Manton (1909-2005) and his wife Florence, Lady Manton, assembled an outstanding collection of 18th- and 19th-century British art. A gift to the Clark Art Institute from the Manton Foundation in 2007, their collection features more than three hundred oil paintings, watercolors, drawings, and prints, including works by John Constable, J. M. W. Turner, Thomas Gainsborough, and William Blake.

In a series of wide-ranging essays, prominent scholars consider the major works and themes in the collection, relating them to larger issues within the field of British studies. Individual essays are devoted to Constable's oil sketches, cloud studies, and magisterial painting "The Wheat Field"; the growth of the watercolor tradition; print portfolios and narrative series; Thomas Rowlandson's satiric drawings; and Gainsborough's use of experimental materials as revealed through recent scientific analysis. The volume concludes with an illustrated checklist of the works in the collection.

Picturing India - People, Places and the World of the East India Company (Hardcover): John McAleer Picturing India - People, Places and the World of the East India Company (Hardcover)
John McAleer 1
R739 R555 Discovery Miles 5 550 Save R184 (25%) Shipped within 7 - 12 working days

The British engagement with India was an intensely visual one. Images of the subcontinent, produced by artists and travellers in the eighteenth- and nineteenth-century heyday of the East India Company, reflect the role it played in Indian life. They mirror significant shifts in British policy and attitudes towards India. The Company's story is one of wealth, power, and the pursuit of profit. It changed what people in Europe ate, what they drank, and how they dressed. Ultimately, it laid the foundations of the British Raj. But few historians have considered the visual sources that survive and their implications for the link between images and empire, pictures and power. This book draws on the unrivalled riches of the British Library, telling the story of individual images, their creators, and the people and places they depict. It will present a detailed picture of the Company and its complex relationship with India, its people and cultures.

William Blake and the Age of Aquarius (Hardcover): Stephen F. Eisenman William Blake and the Age of Aquarius (Hardcover)
Stephen F. Eisenman; Contributions by Mark Crosby, Elizabeth Ferrell, Jacob Henry Leveton, W.J.T. Mitchell, …
R879 R679 Discovery Miles 6 790 Save R200 (23%) Shipped within 7 - 11 working days

A stunningly illustrated look at how Blake's radical vision influenced artists of the Beat generation and 1960s counterculture In his own lifetime, William Blake (1757-1827) was a relatively unknown nonconventional artist with a strong political bent. William Blake and the Age of Aquarius is a beautifully illustrated look at how, some two hundred years after his birth, the antiestablishment values embodied in Blake's art and poetry became a model for artists of the American counterculture. This book provides new insights into the politics and protests of Blake's own lifetime, and the generation of artists who revived and reimagined his work in the mid-1940s through 1970, or what might be called the "long sixties." Contributors explore Blake's outsider status in Georgian England and how his individualistic vision spoke to members of the Beat Generation, hippies, radical poets and writers, and other voices of the counterculture. Among the artists, musicians, and writers who looked to Blake were such diverse figures as Diane Arbus, Jay DeFeo, the Doors, Sam Francis, Allen Ginsberg, Jess, Agnes Martin, Ad Reinhardt, Charles Seliger, Maurice Sendak, Robert Smithson, Clyfford Still, and many others. This book also explores visual cultures around such galvanizing moments of the 1960s as Woodstock and the Summer of Love. William Blake and the Age of Aquarius shows how Blake's myths, visions, and radicalism found new life among American artists who valued individualism and creativity, explored expanded consciousness, and celebrated youth, peace, and the power of love in a turbulent age. Exhibition schedule: Mary and Leigh Block Museum of Art, Northwestern University September 23, 2017-March 11, 2018

Martin Lister and his Remarkable Daughters - The Art of Science in the Seventeenth Century (Hardcover): Anna Marie Roos Martin Lister and his Remarkable Daughters - The Art of Science in the Seventeenth Century (Hardcover)
Anna Marie Roos
R656 R539 Discovery Miles 5 390 Save R117 (18%) Shipped within 7 - 12 working days

Martin Lister, royal physician and fellow of the Royal Society, was an extraordinarily prolific natural historian with an expertise in shells and molluscs. Disappointed with the work of established artists, Lister decided to teach his daughters, Susanna and Anna, how to illustrate the specimens he studied. The sisters became so skilled at this that Lister entrusted them with his great work, 'Historiae Conchyliorum', assembled between 1685 and 1692. This first comprehensive study of conchology consisted of over 1,000 copperplates of shells and molluscs collected from around the world. 'Martin Lister and his Remarkable Daughters' reconstructs the creation of this masterwork, from the identification of the original shells to the drawings themselves, and from the engraved copperplates to the draft prints and final books. Susanna and Anna portrayed the shells not only as curious and beautiful objects, but also as specimens of natural history rendered with sensitivity and keen scientific empiricism. Beautiful in their own right, these illustrations and engravings reveal the early techniques behind scientific illustration together with the often unnoticed role of women in the scientific revolution.

Pulcinella - Or Entertainment for Children (Hardcover, 2nd ed.): Giorgio Agamben Pulcinella - Or Entertainment for Children (Hardcover, 2nd ed.)
Giorgio Agamben; Translated by Kevin Attell
R505 R473 Discovery Miles 4 730 Save R32 (6%) Shipped within 7 - 12 working days

The list of subjects that Giorgio Agamben has tackled in his career is dizzying--from the dangers of our current political moment to the traces of the distant past that inflect the culture around us today. With Pulcinella, Agamben is back with yet another surprising--and surprisingly relevant--subject: the commedia dell'arte character. At the heart of Pulcinella is Agamben's exploration of an album of 104 drawings, created by Giovanni Domenico Tiepolo (1727-1804) near the end of his life, that cover the life, adventures, death, and resurrection of the title character. Who is Pulcinella under his black mask? Is he a man, a demon, or a god? Mixing stories of the enigmatic Pulcinella with his own character in a sort of imaginary philosophical biography, Agamben attempts to locate the line connection between philosophy and comedy. Perhaps, contrary to what we've been told, comedy is not only more ancient and profound than tragedy, but also closer to philosophy--close enough, in fact, that, as happens in this book, at times the line between the two can blur.

Rembrandt van Rijn Masterpieces of Art (Hardcover, New edition): Susan Grange Rembrandt van Rijn Masterpieces of Art (Hardcover, New edition)
Susan Grange
R329 R264 Discovery Miles 2 640 Save R65 (20%) Shipped within 7 - 12 working days

Rembrandt Harmenszoon van Rijn was the leading painter and graphic artist of the `Golden Age of Dutch Art'. He excelled in imbuing his art with the `deepest and most lifelike emotion', with rich detail and stunning lighting. This richly enjoyable book gives the reader an illuminating overview of the life, work and influences of the artist, before going on to showcase the most stunning and varied examples of his oeuvre, broken down into themes - Portraits, Landscape & Narrative, Self-portraits, and Etchings & Drawings. Discover his versatility in the range of works selected, from the electric The Storm on the Sea of Galilee to the treasured The Night Watch, with its triumph in chiaroscuro and energy. A visual feast, it will underline the artist's status as a true master.

Baroque and Later Paintings in the Ashmolean Museum (Hardcover): Catherine Whistler Baroque and Later Paintings in the Ashmolean Museum (Hardcover)
Catherine Whistler
R3,503 R2,583 Discovery Miles 25 830 Save R920 (26%) Shipped within 7 - 12 working days
The Golden Age of Dutch and Flemish Painting (Hardcover): Norbert Wolf The Golden Age of Dutch and Flemish Painting (Hardcover)
Norbert Wolf
R2,365 R1,693 Discovery Miles 16 930 Save R672 (28%) Shipped within 7 - 12 working days

The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science-and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World (Hardcover): Joanna Marschner, David... Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World (Hardcover)
Joanna Marschner, David Bindman, Lisa L Ford; Contributions by Cassandra Albinson, Robyn Asleson, …
R1,288 R1,183 Discovery Miles 11 830 Save R105 (8%) Shipped within 7 - 12 working days

Caroline of Ansbach (1683-1737), Augusta of Saxe-Gotha (1719-1772), and Charlotte of Mecklenberg-Strelitz (1744-1818) were three German princesses who became Queens Consort-or, in the case of Augusta, Queen in Waiting, Regent, and Princess Dowager-of Great Britain, and were linked by their early years at European princely courts, their curiosity, aspirations, and an investment in Enlightenment thought. This sumptuously illustrated book considers the ways these powerful, intelligent women left enduring marks on British culture through a wide range of activities: the promotion of the court as a dynamic forum of the Hanoverian regime; the enrichment of the royal collection of art; the advancement of science and industry; and the creation of gardens and menageries. Objects included range from spectacular state portraits to pedagogical toys to plant and animal specimens, and reveal how the new and novel intermingled with the traditional.

Lives of Gainsborough (Paperback): William Jackson Lives of Gainsborough (Paperback)
William Jackson; Introduction by Anthony Mould; Philip Thicknesse
R207 R164 Discovery Miles 1 640 Save R43 (21%) Shipped within 7 - 12 working days
Rembrandt's Paintings Revisited - A Complete Survey - A Reprint of A Corpus of Rembrandt Paintings VI (Paperback, 1st ed.... Rembrandt's Paintings Revisited - A Complete Survey - A Reprint of A Corpus of Rembrandt Paintings VI (Paperback, 1st ed. 2017)
Ernst van de Wetering
R2,198 R1,430 Discovery Miles 14 300 Save R768 (35%) Shipped within 7 - 12 working days

The question of which 17th-century paintings in Rembrandt's style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt's own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master's work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The present book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt's paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one's ability to recognise a specific artist's style and `hand'. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt's time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering's account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt's entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt's world and the world of art-historical research. Rembrandt's Paintings Revisited is a reprint of the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson's influential survey of Rembrandt's painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

A Corpus of Rembrandt Paintings V - The Small-Scale History Paintings (Hardcover, 2011 ed.): Ernst van de Wetering A Corpus of Rembrandt Paintings V - The Small-Scale History Paintings (Hardcover, 2011 ed.)
Ernst van de Wetering
R24,280 R21,445 Discovery Miles 214 450 Save R2,835 (12%) Shipped within 7 - 12 working days

This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt's paintings. This is the work of `The Rembrandt Research Project', consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt's own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt's paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt's working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt's self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist's greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt's artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt's studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as `the basis of the noble art of painting' in Rembrandt's days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and '48. Comparing the two books and considering them in relation to Rembrandt's oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt's ideas and approach to his art. The `basic aspects' of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene's protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these `basic aspects' were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master's studio. With the development of art history in the nineteenth century the `basic aspects' of the art of painting listed above acquired the vague label of `style'. However, the seventeenth century categorization of the `basic aspects' provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of `style'. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt's works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt's views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the `Corpus' is an important publication - not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.

Capturing Nature's Beauty - Three Centuries of French Landscapes (Hardcover): Edouard Kopp Capturing Nature's Beauty - Three Centuries of French Landscapes (Hardcover)
Edouard Kopp
R339 Discovery Miles 3 390 Shipped within 7 - 12 working days

This title presents an informative and thoroughly illustrated introduction to the tradition of French landscape painting. Filled with glorious full-colour illustrations, "Capturing Nature's Beauty" highlights the key moments of the French landscape tradition from its emergence in the 1600s to its pre-eminence in the 1800s. Drawing on a wide selection of works from the J. Paul Getty Museum's extensive collection - including those of Francois Boucher, Vincent van Gogh, Claude Lorrain, Jean-Baptiste Oudry, Theodore Rousseau, and Georges Seurat - it examines the variety of techniques, functions, and styles used throughout the period. This delightful volume also provides a brief, yet informative general introduction to landscape painting making it both a handsome reference and a welcome gift.

William Hogarth - A Complete Catalogue of the Paintings (Hardcover): Elizabeth Einberg William Hogarth - A Complete Catalogue of the Paintings (Hardcover)
Elizabeth Einberg
R2,250 R2,028 Discovery Miles 20 280 Save R222 (10%) Shipped within 7 - 12 working days

William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation.

Eye Of The Beholder (Paperback): Laura J. Snyder Eye Of The Beholder (Paperback)
Laura J. Snyder 1
R362 R304 Discovery Miles 3 040 Save R58 (16%) Shipped within 7 - 12 working days

By the early 17th century the Scientific Revolution was well under way. Philosophers and scientists were throwing off the yoke of ancient authority to peer at nature and the cosmos through microscopes and telescopes. In October 1632, in the small town of Delft in the Dutch Republic, two geniuses were born who would bring about a seismic shift in the idea of what it meant to see the world. One was Johannes Vermeer, whose experiments with lenses and a camera obscura taught him how we see under different conditions of light and helped him create the most luminous works of art ever beheld. The other was Antoni van Leeuwenhoek, whose work with microscopes revealed a previously unimagined realm of minuscule creatures. By intertwining the biographies of these two men, Laura Snyder tells the story of a historical moment in both art and science that revolutionized how we see the world today.

Rembrandt's Roughness (Hardcover): Nicola Suthor Rembrandt's Roughness (Hardcover)
Nicola Suthor
R1,148 R865 Discovery Miles 8 650 Save R283 (25%) Shipped within 7 - 12 working days

Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.

Eye of the Beholder - Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing (Hardcover): Laura J. Snyder Eye of the Beholder - Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing (Hardcover)
Laura J. Snyder 1
R590 R475 Discovery Miles 4 750 Save R115 (19%) Shipped within 7 - 12 working days

By the early 17th century the Scientific Revolution was well under way. Philosophers and scientists were throwing off the yoke of ancient authority to peer at nature and the cosmos through microscopes and telescopes. In October 1632, in the small town of Delft in the Dutch Republic, two geniuses were born who would bring about a seismic shift in the idea of what it meant to see the world. One was Johannes Vermeer, whose experiments with lenses and a camera obscura taught him how we see under different conditions of light and helped him create the most luminous works of art ever beheld. The other was Antoni van Leeuwenhoek, whose work with microscopes revealed a previously unimagined realm of minuscule creatures. By intertwining the biographies of these two men, Laura Snyder tells the story of a historical moment in both art and science that revolutionized how we see the world today.

Charles-Joseph Natoire and the Academie de France in Rome - A Re-Evaluation (Paperback): Reed Benhamou Charles-Joseph Natoire and the Academie de France in Rome - A Re-Evaluation (Paperback)
Reed Benhamou
R1,654 Discovery Miles 16 540 Shipped within 7 - 12 working days

In 1752 Charles-Joseph Natoire, then a highly successful painter, assumed the directorship of the prestigious Academie de France in Rome. Twenty-three years later he was removed from office, criticised as being singularly inept. What was the basis for this condemnation that has been perpetuated by historians ever since? Reed Benhamou's re-evaluation of Natoire's life and work at the Academie is the first to weigh the prevailing opinion against the historical record. The accusations made against Charles-Joseph Natoire were many and varied: that his artistic work was increasingly unworthy of serious study; that he demeaned his students; that he was a religious bigot; that he was a fraudulent book-keeper. Benhamou evaluates these and other charges in the light of contemporary correspondences, critics' assessment of his work, legal briefs, royal accounts and the parallel experiences of his precursors and successors at the Academie. The director's role is shown to be multifaceted and no director succeeded in every area. What is arresting is why Natoire was singled out as being uniquely weak, uniquely bigoted, uniquely incompetent. The Charles-Joseph Natoire who emerges from this book differs in nearly every respect from the unflattering portrait promulgated by historians and popular media. His increasingly iconoclastic students rebelled against the traditional qualities valued by the French artistic elite; the Academie went underfunded because of the effects of war and a profligate king, and he was caught between two competing institutional regimes. In this book Reed Benhamou not only unravels the myth and reality surrounding Natoire, but also also sheds light on the workings of the institution he served for nearly a quarter of a century.

Pompeo Batoni - A Complete Catalogue of His Paintings (Multiple copy pack): Edgar Peters Bowron Pompeo Batoni - A Complete Catalogue of His Paintings (Multiple copy pack)
Edgar Peters Bowron
R4,594 R4,112 Discovery Miles 41 120 Save R482 (10%) Shipped within 7 - 12 working days

This meticulously researched catalogue presents an authoritative assessment of the works of Pompeo Batoni (1708-1787), one of the 18th century's most celebrated painters. Born in Lucca, Batoni established himself in Rome and received commissions from popes, princes, and British aristocrats on the Grand Tour. Batoni was highly sought after for his theatrical yet incisive-and often flattering-portraits. Connoisseurs and cognoscenti also prized his learned and technically brilliant allegorical, religious, and mythological compositions. With entries on more than 480 paintings and 250 drawings, this magnificent two-volume set provides the most complete examination to date of Batoni's entire oeuvre. Featuring beautiful, high-quality reproductions, the book provides thorough details on provenance and exhibition history as well as biographies of the portrait sitters. New analysis of the works, resulting from decades of research, reinterprets some of Batoni's iconography, identifies new textual and visual sources of his imagery, and reveals insights gleaned from unpublished archival materials.

Concepts of Creativity in Seventeenth-Century England (Hardcover, New): Rebecca Herissone, Alan Howard Concepts of Creativity in Seventeenth-Century England (Hardcover, New)
Rebecca Herissone, Alan Howard
R1,357 R1,226 Discovery Miles 12 260 Save R131 (10%) Shipped within 7 - 12 working days

In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenth and nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of a patron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.

Childhood Pleasures - Dutch Children in the Seventeenth Century (Paperback, New): Donna R. Barnes, Peter Grose Childhood Pleasures - Dutch Children in the Seventeenth Century (Paperback, New)
Donna R. Barnes, Peter Grose
R576 R451 Discovery Miles 4 510 Save R125 (22%) Shipped within 7 - 11 working days

Seventeenth-century Netherlands is a time and place that inspires our imagination. This maritime country conjures up images of windmills and dikes, picturesque farms, bustling cities, and harbors filled with ships returning home from far-away lands, their holds packed with spices. The small country enjoyed vibrant economic growth and a remarkably tolerant society that welcomed people of all religious backgrounds. The enormous legacy of this period of the Dutch republic, which artists, writers, and poets celebrated as its Golden Age, has enriched all our lives. As historians search for a fuller understanding of its unique character, they continually return to the central role of the family. Children are an essential part of the story, because how they were raised and taught, how they played, and what they ate and drank offer fundamental insights into Dutch lives. The images in the book are organized around eight themes: Infancy; St. Nicholas: Bringer of Sweets and Toys; Celebrations and Music; Toys and Games; Animals as Pets and Companions; Inventing Fun, Games, and Mischief; Shopping for Food Treats; and Winter Activities: Outdoors. A recipe chapter provides inspiration for cooking projects, allowing children to prepare tastes of the past. Through words and images, we learn that while some pleasures enjoyed by Dutch youngsters 400 years ago have changed, some have remained the same and are sources of fun and excitement for children today.

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