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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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Basic Instincts - Love, Lust and Violence in the Art of Joseph Highmore (Paperback) Loot Price: R822
Discovery Miles 8 220
Basic Instincts - Love, Lust and Violence in the Art of Joseph Highmore (Paperback): Jaaqueline Riding

Basic Instincts - Love, Lust and Violence in the Art of Joseph Highmore (Paperback)

Jaaqueline Riding

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Loot Price R822 Discovery Miles 8 220 | Repayment Terms: R77 pm x 12*

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Published to coincide with the exhibition at the Foundling Museum in London, this fascinating book will re-introduce Joseph Highmore (1692-1780), an artist of status and substance in his day, who is now largely unknown. It takes as its focus Highmore's small oil painting known as The Angel of Mercy (1746, Yale), one of the most shocking and controversial images in 18th-century British art. The painting depicts a woman in fashionable mid-18th-century dress strangling the infant lying on her lap. A cloaked, barefooted fi gure cowers to the right as an angel intervenes, pointing towards the Foundling Hospital, the recently built refuge for abandoned infants, in the distance. The image attempts to address one of the most disturbing aspects of the Foundling Hospital story - certainly a subject that many (now as then) would consider beyond depiction. But if any artist of the period had attempted such a subject it would surely be William Hogarth, not the portrait painter Joseph Highmore? In fact, the painting was attributed to Hogarth for almost two centuries, until its reattribution in the 1990s. Even so, it is surprising that despite the wealth of scholarship associated with Hogarth and the `modern moral subject' of the 1730s and 1740s, The Angel of Mercy has received little attention until now. The book (and exhibition) seeks to address this, while encouraging greater interest in, and appreciation for, this signifi cant British artist. Highmore expert, Jacqueline Riding, will set this extraordinary painting within the context of the artist's life and work, as well as broader historical and artistic contexts. This will include exploration of superb examples of Highmore's portraiture, such as his complex, monumental group portrait The Family of Sir Eldred Lancelot Lee and the exquisite small-scale `conversations' The Vigor Family and The Artist and his Family, juxtaposed with analysis of key subject paintings, including the Foundling Museum's Hagar and Ishmael and Highmore's `Pamela' series, inspired by Samuel Richardson's bestselling novel. Collectively they tackle relevant and highly contentious issues around the status and care of women and children, master/servant relations, motherhood, abuse, abandonment, infant death and murder.

General

Imprint: Paul Holberton Publishing
Country of origin: United Kingdom
Release date: September 2017
Authors: Jaaqueline Riding
Dimensions: 260 x 216 x 10mm (L x W x T)
Format: Paperback
Pages: 120
ISBN-13: 978-1-911300-28-1
Categories: Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
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LSN: 1-911300-28-8
Barcode: 9781911300281

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