The BP Portrait Award, now in its thirtieth year, is one of Britain's most prestigious art prizes, and is the leading showcase for artists throughout the world specialising in portraiture. In 201 7 more than 230 ,000 people visited the exhibition based on the competition open to all artists aged eighteen and over from around the world. The catalogue features around forty-eight works from an international list of artists, which together display a diverse range of styles and painterly techniques. It also includes an essay, an illustrated interview with the previous year's Travel Award winner and interviews with the prizewinners by Richard McClure, which give further insight into the artists behind the portraits.

`What can painting do?' This question bound together a diverse community of artists in London after the Second World War. In answering it, many became household names: Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling, Howard Hodgkin and more. Drawing on decades of interviews, Gayford unpicks the creative threads and maverick personalities of interwoven lives from postwar Soho bohemia to the Swinging Sixties. It is a story of friendships, experiences and artistic concerns shared between talented individuals who each developed their own singular approach to painting. All passionately believed that even in the age of new media, an ancient form could do fresh and marvellous things.

The author's paintings are characterised by their vibrant colours and imaginative compositions. In this title she explains her evocative use of colour to recreate the beauty of flowers in paintings using wet-on-wet, wet-on-dry, negative painting, masking, lifting out, glazing and more. Clear step-by-step projects are included, as well as many examples of her work, providing ideas and inspiration for novice as well as more experienced artists. This title will appeal to everyone wishing to improve their flower watercolour painting skills.

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

Whether you're a complete beginner or keen to improve your skills, Pastels in 10 Steps is sure to help you on your way to becoming a true artist. Spanning various elements of this popular art form, this amazing guide will take you through all the essential techniques needed to produce fantastic artworks. Simply follow the series of below steps to master your skill, paint individual elements of a still life arrangement, then put them all together to create a beautifully composed and executed masterpiece. Steps include: 1 Prepare good foundations 2 Hone your use of colour 3 Learn about linear techniques 4 Experiment with impasto 5 Master the art of blending and layering 6 Create textural effects 7 Use erasing and graffito 8 Explore background colour 9 Get to grips with composition 10 Learn how to bring it all together

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

Jean Doyle, A Portrait is a glorious tribute to one of South Africa’s quietest artists. This part-biography, part critique explores how Jean has formed, shaped, forged and polished her career. Frequently told through her private sculpture notes, it goes beneath the layers of bronze and clay to the inspirational heart of her work, tracing her artistic journey. It celebrates the freshness, simplicity, intelligence, unmistakable sense of humour and, strikingly, the modest humility with which Jean Doyle has emerged as one of the greatest story-telling South African artists of our time.

From ancient Egyptian wallpaintings to contemporary Western canvases, this book is truly comprehensive in scope and beautiful to leaf through. Within its pages you will see displayed 1001 of the most memorable, haunting, powerful, important, controversial and visually arresting paintings that have ever been created. This newly updated and revised edition improves upon previous editions by featuring larger images throughout and unparalleled readability of text. Entertaining and informative text written by an international team of artists, curators, art critics and art collectors illuminates both the paintings and the people who painted them. An insightful review accompanies a beautiful reproduction of every painting - an enviable art collection to dip into whenever you please. The paintings are listed by artist and by title, making it easy to find a specific painting or trace the development of one painter's work. 1001 Paintings is a collector's must for the bookshelf.

The French artist Edgar Degas was famous for his work in drawing, painting, sculpture and printmaking. This calendar showcases his fascination with the art of dance, capturing in beautiful pastel colours the poise and elegance of the dancers, often in rehearsal or in off-stage moments. Informative text accompanies each work and the datepad features previous and next month's views.

Whether as a reaction to our technological present or as a manifestation of fears concerning our environmental future, depictions of the natural world in painting have never seemed more pertinent or urgent. Some of the most ambitious, crucial and intellectually vibrant paintings being created in this century involve the landscape - from a more traditional, perceptual based approach for rendering vistas to a looser, topography-inspired gestural abstraction that blurs the line between form and space, to many other modes in between. Surprisingly, there has not been an ambitious and wide-reaching publication on the subject - until now. The result of several years' worth of research, Landscape Painting Now is the first book to explore the very best contemporary landscape painting. Featuring artists from nearly twenty-five countries born over seven decades, it includes some of the brightest stars of the contemporary art world. It is introduced by an essay from Barry Schwabsky, who discusses the history of landscape painting, exploring how the genre developed through the 20th century to today, and how it has become increasingly relevant to art now. He also explores the notion of what is actually called a landscape painting today, and looks to expand beyond commonly held preconceptions concerning the genre.

A new study examining the life and work of Helene Schjerfbeck, the Finnish painter who influenced Bacon, Freud and Auerbach. Published to accompany a major retrospective at the Royal Academy, running from 20 July to 27 October 2019, the first time her works have been seen in London since 1890. Though little known outside her native country, Helene Schjerfbeck (1862-1946) is one of Finland's best-loved artists. Her career, which stretched from the late 1870s to the end of the Second World War, encompassed both Impressionism and Modernism. This book records an exhibition that marks the first time her works have been seen in the UK since she exhibited in London herself in 1890. It presents the full range of her exceptional paintings and drawings, with 70 works in all genres, including portrait, landscape and still-life. Schjerfbeck's technique, her social and cultural context and her legacy are all examined in depth by the authors. Her influence on such artists as Francis Bacon, Lucian Freud and Frank Auerbach is considered, while a series of self-portraits reveals the artist from youth to old age. The book also explores the role of the masquerade in Schjerfbeck's work, and the impact of old-master paintings on her practice.

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

First published to accompany Piano Nobile's exhibiton at Piano Nobile Kings Place, Thomas Newbolt: Drama Paintings - A Modern Baroque, this fully colour illustrated book presents a substantial publication on contemporary artist Thomas Newbolt. Newbolt's dedication to the figure in art, and the vitality of his work have gained him international recognition. An artist of talent and intellectual integrity, he was Harkness Fellow at the University of Virginia and the University of Wisconsin, and a Fellow-Commoner at Trinity College, Cambridge, as well as a respected teacher at Camberwell, Anglia Ruskin and The Royal Drawing School, London. Recent exhibitions include Ely Cathedral, the Estorick Collection, and a group show, Vital Signs, at Clifford Chance in 2015. His work is held in major international public collections. With essays by Mark Hudson, arts critic at the Telegraph, Professor Maurice Biriotti, and Martin Gayford, critic at the Spectator, this catalogue provides fresh insight into the work of this most enigmati and powerful of artists. Lavishly illustrated and beautifully designed as a work of art in its own right, Thomas Newbolt: Paintings is a reflection on Newbolt's career thus far, and a testament to the significance of his work. The publication includes three essays, a catalogue of works selected by Thomas Newbolt, a chronologyof the artist's career and an index.

This delightful book describes and interprets a series of paintings for each day of Lent. Artists often address subjects that our culture seeks to avoid, and Sister Wendy's brilliant and perceptive reflections will help you to read these paintings with a more discerning eye, and encounter deeper levels of spiritual meaning than may at first appear.

A unique style of court painting, combining Persian, Indian and European elements, developed in India under the Mughal emperors in the sixteenth and seventeenth centuries. Originally an art of book illustration, it soon gave rise to highly naturalistic portraiture and scenes of court life, among other subjects. These elegant and expressive works reflect the splendour of the Mughal empire, as well as the enthusiasm of the emperors from Akbar (1556-1605) onwards for stories of adventure and romance, for the recording of great imperial assemblies, or the meticulous depiction of the flora and fauna of India. Among the highlights of the book are the illustrations to Akbar's magnificent Baharistan manuscript of 1595, and the court scenes from the reigns of Shah Jahan (1627-58) or the pleasure-loving Muhammad Shah (1719-48). This book reproduces many of the finest Mughal and Deccani paintings preserved in the Bodleian Library's rich and historic collection, largely formed between 1640 and 1900. These pictures range in date from around 1560 to 1800, when British influence was becoming dominant in India. Each image is presented as a full page colour plate with facing text describing its subject and significance, while the introduction situates the works within the general context of the period and its art. A number of textual revisions have been made since the book first appeared in 2008.

Whether you're trying your hand at painting for the first time or honing your artistic ability, Artist's Painting Techniques is the handiest guide to teach you how to paint. Starting with the basics such as observational skills and learning how to draw, Artist's Painting Techniques will guide you into working with watercolours, acrylics, and oil paints. Discover everything you need to know about tone, colour, pattern, brushwork, and composition to create your own masterpieces with confidence. Learn a range of key watercolour, acryllic, and oil painting techniques, including laying a flat wash, painting fur, and creating impasto sculptural effects. Embark on exciting artistic exercises and projects to discover your style and grow as an artist. Follow the fully illustrated step-by-step guides and get inspiring advice and encouragement from practising artists. Kickstart your creativity and develop your own style with Artist's Painting Techniques.

This enthralling and comprehensive new book on Henri Matisse is an eye-opener for all students and art lovers interested in early twentieth-century art. Taking fifty of Matisse's most iconic works of art, John Cauman provides an accessible narrative about the man and his work, deciphering the themes, methods and intentions of this truly great artist. Chronologically spanning from the late nineteenth century to the mid 1950s, each painting, drawing and mural is described and analysed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. The paintings are prefaced by an informative introduction that presents the milieu and key characters that featured in Matisse's life. Among his most famous works, this book includes Luxe, calme et volupte (1904), Le Bonheur de vivre (The Joy of Life) (1905-6), Self-Portrait in a Striped Shirt (1906), Blue Nude (Memory of Biskra) (1907), Bathers by a River (1909-17), Harmony in Red (1908), Dance I (1909), Entrance to the Casbah (1912-13), Pianist and Checker Players (1924), Still Life with a Magnolia (1941), Memory of Oceania (1951-2) and The Snail (1953).

"I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure." -J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892-1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cezanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum's famed, daylight-suffused galleries. Vibrant full-colour illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.

From humble beginnings in Nuenen and Antwerp to his last month in Auvers-sur-Oise, this captivating book on Vincent Van Gogh's life and works is the perfect introduction for all students and art lovers interested in late nineteenth-century and Post-Impressionist art. Featuring fifty of his finest works, each painting and drawing is described and analyzed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. Drawing from the many letters that Van Gogh wrote to his brother, friends and others, curator John Cauman provides an enthralling and accessible narrative about the artist and his work, introducing the milieu, key characters and themes and legacy that continues to this day. Among the fifty paintings featured, this book includes The Potato Eaters (1885), Pere Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Cafe Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh's Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).

The role of mural and decorative painting has been largely neglected in accounts of twentieth-century British art. In this collection of specially commissioned studies, leading experts shine the spotlight on some of the most important and enduring, along with neglected images of the period. These include previously unpublished Festival of Britain designs as well as little-known masterpieces from the first generation of Rome Scholars Colin Gill, Edward Halliday, Glyn Jones, Winifred Knights and Tom Monnington. Many of these works are reproduced in color for the first time. More than 30 mural projects discussed and illustrated include Stanley Spencer's Sandham Memorial Chapel, Burghclere from the 1920s; Rex Whistler's Tate Restaurant; Edward Wadsworth's study for a mural at De La Warr Pavilion at Bexhill; Frank Brangwyn's Rockefeller Plaza, New York; The English Pub, by Edward Bawden; Telecinema Designs by John Armstrong; John Piper's The Englishman s Home; Thomas Monnington's ceiling for the New Council House, Bristol, and the Porthmeor Mural by Peter Lanyon, 1962/63.