Combining high-quality production with magnificent fine art, this gorgeous month-to-view year planner features on its cover a design based on Josephine Wall's ethereal Mer Fairy, making it a perfect gift or special treat just for you.

Self-employed fantasy artist Jasmine Becket-Griffith has been working on her art professionally since 1997. She spends all of her time painting in her studio in Florida, coming up with beautiful and gothic digital artworks featuring faeries, mermaids, princesses and more in her impressive and instantly recognizable style. This mini calendar features 12 of her works. Informative text accompanies each work in this art calendar and the datepad features previous and next months views.

In his lifetime, Italian painter Giuseppe Arcimboldo was a court portraitist, decorator and costume designer to the Holy Roman Emperor. However, today he remains best-known for his fantastical studies of flora, fauna, and various objects arranged into human portraits. Innovative, intricate and beautifully observed, these paintings continue to enduring objects of curiosity, fascination, and admiration, influencing the work of artists such as Picasso and Dali. Informative text accompanies each work and the datepad features previous and next month's views.

Self-employed fantasy artist Jasmine Becket-Griffith has been working on her art professionally since 1997. She spends all of her time painting in her studio in Florida, coming up with beautiful and gothic digital artworks featuring faeries, mermaids, princesses and more in her impressive and instantly recognizable style. This calendar features 12 of her works. Informative text accompanies each work in this art calendar and the datepad features previous and next months views.

Take a breathtaking journey into the spiritual landscape with a calendar featuring fantasy works by contemporary artist Josephine Wall in this mini wall calendar. Dazzling artwork with swirling backgrounds, vibrant colours and otherworldly beings bring this calendar to life with the inspirational sense that anything is possible. In this mini wall calendar, informative text accompanies each work and the datepad features previous and next month's views.

The author's paintings are characterised by their vibrant colours and imaginative compositions. In this title she explains her evocative use of colour to recreate the beauty of flowers in paintings using wet-on-wet, wet-on-dry, negative painting, masking, lifting out, glazing and more. Clear step-by-step projects are included, as well as many examples of her work, providing ideas and inspiration for novice as well as more experienced artists. This title will appeal to everyone wishing to improve their flower watercolour painting skills.

Combining high-quality production with magnificent fine art, this luxurious week-to-view pocket diary has a foil and embossed cover with magnetic closure. Featuring on its cover Alice in a Dali Dream by Jasmine Becket-Griffith this diary makes a perfect gift or a special treat just for you.

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

To celebrate the 60th Anniversary of the publication of The Lord of the Rings, a sumptuous full-colour art book containing the complete collection of almost 200 sketches, drawings, paintings and maps by J.R.R. Tolkien. As he wrote The Lord of the Rings, J.R.R. Tolkien's mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien's process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and `facsimile' leaves from the burned and blood-stained Book of Mazarbul, support Tolkien's pose as an `editor' or `translator' of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one deluxe volume. More than 180 images are included, all of them printed in colour from high-quality scans and photographs, more than half not previously published. Wayne G. Hammond and Christina Scull, two of the world's leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Hobbit by J.R.R. Tolkien, with which the new book is uniform, will find much of interest also in The Art of The Lord of the Rings.

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

Jean Doyle, A Portrait is a glorious tribute to one of South Africa’s quietest artists. This part-biography, part critique explores how Jean has formed, shaped, forged and polished her career. Frequently told through her private sculpture notes, it goes beneath the layers of bronze and clay to the inspirational heart of her work, tracing her artistic journey. It celebrates the freshness, simplicity, intelligence, unmistakable sense of humour and, strikingly, the modest humility with which Jean Doyle has emerged as one of the greatest story-telling South African artists of our time.

Helen Bellany, twice married to the artist John Bellany, recalls their lives together in Scotland, London, and Italy, John's rise from poverty and obscurity to worldwide recognition, and the human cost inherent in creating great art. The sea was in both their hearts and in John's work from its earliest stages. From there, he deepened into a profound exploration of the human condition. The Restless Wave reflects the mystery, poetry and passion that was at the core of the inner life John and Helen shared. The couple had great friendships with such fellow artists as David Bowie, and John painted such internationally known figures as Billy Connelly, Sean Connery and Peter Maxwell Davis, as well as many portraits of his muse, Helen.

From London and Brighton, to Norwich and Wales, this calendar features artworks from the Tate's collection that explore the British landscape. Artists include John Constable, Paul Nash, Eric Ravilious and J.M.W. Turner. Informative text accompanies each work and the datepad features previous and next month's views. Created by Flame Tree Studio - The Art of Fine Gifts.

In 1971, as her album Blue topped music charts around the world, Joni Mitchell created a dazzling and unforgettable holiday gift for her closest friends. Morning Glory on the Vine was an exquisite selection of Joni's handwritten lyrics and poems, accompanied by more than thirty full-colour illustrations, paintings and watercolours. The book was hand-produced in Los Angeles and limited to one hundred signed and numbered copies. Copies of the book have rarely been seen in the past half-century. Now, in conjunction with Joni's 75th birthday celebrations, Morning Glory on the Vine: Early Songs and Drawings, will be made publicly available for the first time. This edition contains the book's complete original content, plus a new introduction written by Joni and a number of her additional paintings (made at the time of the book's creation).

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

First published to accompany Piano Nobile's exhibiton at Piano Nobile Kings Place, Thomas Newbolt: Drama Paintings - A Modern Baroque, this fully colour illustrated book presents a substantial publication on contemporary artist Thomas Newbolt. Newbolt's dedication to the figure in art, and the vitality of his work have gained him international recognition. An artist of talent and intellectual integrity, he was Harkness Fellow at the University of Virginia and the University of Wisconsin, and a Fellow-Commoner at Trinity College, Cambridge, as well as a respected teacher at Camberwell, Anglia Ruskin and The Royal Drawing School, London. Recent exhibitions include Ely Cathedral, the Estorick Collection, and a group show, Vital Signs, at Clifford Chance in 2015. His work is held in major international public collections. With essays by Mark Hudson, arts critic at the Telegraph, Professor Maurice Biriotti, and Martin Gayford, critic at the Spectator, this catalogue provides fresh insight into the work of this most enigmati and powerful of artists. Lavishly illustrated and beautifully designed as a work of art in its own right, Thomas Newbolt: Paintings is a reflection on Newbolt's career thus far, and a testament to the significance of his work. The publication includes three essays, a catalogue of works selected by Thomas Newbolt, a chronologyof the artist's career and an index.

Van Gogh and Britain at Tate Britain will be the first major exhibition both to explore the impact of British culture on Vincent van Gogh and to trace the introduction of his art into Britain and its legacy in the works of British painters. Published to accompany the show, this lavishly illustrated publication illustrates fifty van Gogh paintings, and traces the story from the artist's obscure years in England in the 1870s through his growing influence and reputation to iconic status in the 1950s. These works are accompanied by paintings by British artists that affected him and which he in turn inspired. The publication looks at van Gogh's time in Britain in his early twenties (1873-6), investigating his experience of the largest city in the world and the ideas, books, paintings and prints which caught his attention. These came to the fore in new ways in the following decade when van Gogh became an artist, and reading and the collecting of prints and illustrations informed both his ideals and his practical investigations of a radical, egalitarian style. After his move to France, van Gogh's earlier preoccupations were woven into his wider experience and his dramatically original late works. Van Gogh's brief participation in the cosmopolitan art scene in Paris brought him into contact with British-based painters and collectors who were some of the first to respond to his work, but its full impact came in the twentieth century. The publication focuses on the first displays of van Gogh's work before the First World War and the establishment of his reputation following the war, and then on the Second World War and its aftermath, when the artist's life and work became renowned as an embodiment of embattled human creativity. Essays by leadng experts will explore how van Gogh's work became such an inspiration to modern British artists in the twentieth century, from Sickert to Bacon. EDITOR

Numbering some 1,500 individual items and housed at over 80 historic properties across England, Wales and Northern Ireland, the collection of portrait miniatures cared for by the National Trust is considered to be one of the most significant in the world. As a whole, these precious works of art represent the highest standard of artistry and provide a history of miniature painting in Britain. They range from Holbein's 1533 portrait of A Man Holding a Pink at Upton House in Warwickshire through to Wainwright's portrait of Evelyn Ward (1916), painted several decades after the advent of photography had begun to supersede the art of the miniature. This comprehensive catalogue, featuring every miniatures in the National Trust's care, is being prepared in volumes, divided by region. The first volume, covering Northern Ireland, was published in July 2003. This second volume looks at miniatures from the Trust's historic houses in the counties of Cornwall, Devon and Somerset, including those that recently came to the Trust as part of its acquisition of the magnificent Victorian mansion of Tyntesfield, south of Bristol.

The role of mural and decorative painting has been largely neglected in accounts of twentieth-century British art. In this collection of specially commissioned studies, leading experts shine the spotlight on some of the most important and enduring, along with neglected images of the period. These include previously unpublished Festival of Britain designs as well as little-known masterpieces from the first generation of Rome Scholars Colin Gill, Edward Halliday, Glyn Jones, Winifred Knights and Tom Monnington. Many of these works are reproduced in color for the first time. More than 30 mural projects discussed and illustrated include Stanley Spencer's Sandham Memorial Chapel, Burghclere from the 1920s; Rex Whistler's Tate Restaurant; Edward Wadsworth's study for a mural at De La Warr Pavilion at Bexhill; Frank Brangwyn's Rockefeller Plaza, New York; The English Pub, by Edward Bawden; Telecinema Designs by John Armstrong; John Piper's The Englishman s Home; Thomas Monnington's ceiling for the New Council House, Bristol, and the Porthmeor Mural by Peter Lanyon, 1962/63.