Mary Fedden (1915-2012) is one of Britain's most popular artists. The focus of this acclaimed book, newly available in paperback in celebration of her life's achievement, is the artist's creative process in various different media - oil, gouache, pencil and collage.While Fedden is often considered almost exclusively a still-life painter, still life was far from being her only preoccupation, as this book shows. Fantasy and imagination always also played a strong part, as is particularly evident in her small gouaches. A quietly surreal, enigmatic streak runs through much of her work.Fedden's collages are a witty and affectionate homage to the work of her husband, Julian Trevelyan. They lived, worked and travelled together from 1949 to 1988. The book re-emphasises her debt to him, but also her independence, even during their early life together when he stimulated her move into Modernism. In an engaging text, which draws on numerous conversations with the artist during her final years, Christopher Andreae considers why Fedden has always had such a popular following, looks at the English quality of her work, and talks about the commercialisation of her art and her attitudes to the art market. Fedden is shown to be an original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a colourist of power and subtlety.Profusely illustrated with works from private and public collections, this is a book for Mary Fedden's existing devotees as well as newcomers to her work.

Today, known for its black and white portraits covering entire buildings, Hendrik Beikirch today presents the Siberia project, a project in the continuity of Tracing Morocco started in 2014. The intensity of these powerful foreign faces recalls a familiarity that can be experienced anywhere in the world. Beikirch takes these studies of humanity with him on his travels and permeates them as traces of personified life in new contexts. The project is the result of Beikirch's meeting with this distant immensity that is Siberia. From this project was born the book Siberia, which gives an overview of all the works created, paintings, and 10 murals carried out all over the world. Text in English, French and Russian.

Creative genius, war artist, adventurer, lover. These are just some of the words that can be used to describe Aberdeenshire-born painter and printmaker James McBey (1883-1959). McBey was a Scottish superstar amongst the creative spirits that fuelled the Etching Revival of the late nineteenth century and Etching Boom of the early twentieth century, and in an historical context, was the acknowledged heir to Whistler and Rembrandt. But after his death in Tangier, Morocco, in 1959, his renown as one of Britain's most accomplished artists - who took the art world by storm - faded from public consciousness. Born illegitimately in the tiny parish of Foveran, Aberdeenshire, in the late Victorian era, he was brought up by his blind mother and elderly grandmother amid the rigid Presbyterian confines of Scotland's north-east. Tragedy, dreary work as a bank clerk and a craving for success on his own terms all precipitated his leaving Aberdeen to live the life of an artist in London where he quickly became one of the most-talked about creatives of his generation. At the heart of this biography - the first ever to be published on McBey - is his time as a war artist in the Middle East during the Great War - where he would meet and paint T. E. Lawrence - his many love affairs, marriage to the beautiful American, Marguerite Loeb, and his enduring passion for Morocco. Drawing on his many diaries and letters and artistic creations, this is the story of one man who - clever, kind, intrepid, dashing, insecure and flawed - triumphed against the odds.

Mere clothing is transformed into desirable fashion by the way it is represented in imagery. Fashion's Double examines how meanings are projected onto garments through their representation, whether in painting, photography, cinema or online fashion film, conveying identity and status, eliciting fascination and desire. With in-depth case studies including the work of Nick Knight and Helmut Newton, film examples such as The Hunger Games, music video Girl Panic by Duran Duran, and much more, this book analyses the interrelationship between clothing, identity, embodiment, representation and self-representation. Written for students and scholars alike, Fashion's Double will appeal to anyone studying fashion, cultural studies, art theory and history, photography, sociology, and film.

How to Read Paintings is a valuable visual guide to Western European painting. Through a gallery of artworks accompanied by informative commentary, it enables readers to swiftly develop their understanding of the grammar and vocabulary of painting, and to discover how to look at diverse paintings in detail, closely reading their meanings and methods. In the first part of the book, the Grammar of Paintings, the author reveals how to read paintings by considering five key areas: shape and support, medium and materials, composition, style and technique, and signs and symbols, as well as the role of the artist. In the second part, we explore fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art. As a collection, the pictures featured in How to Read Paintings have a strong relationship with one another, and underpin the story of painting. This book will be a valuable tool whether you are viewing the real thing on a gallery wall, or simply reading around the subject to learn more about Western art.

This study presents the Tondo Doni to the new Florentine republic as a model of the 'great sacrament' of marriage from the New Testament book of Ephesians. Following fifteenth-century theology, Michelangelo portrayed Mary as a humble wife dominated and possessed by a virile guardian Joseph, the couple united as if 'two in one flesh'. To compensate for their symbolic propinquity, the painter cast her as a paragon of virginity, a muscular mulier fortis. In order to keep this virago in her place, Michelangelo coupled the Virgin in spiritual union with Christ, maenad-Psyche to bacchic Eros, attempting to mystify her social subordination into self-sacrificing love via Ficinian commentary and Saint Paul. Then, firing the Doni infant's vehemence with a distinctly violent strain of Christian love, the painter turned to Dante's rime petrose to continue the implied action and authorize a new painterly style, a sculptural stile aspro. Brill's Studies on Art, Art History, and Intellectual History, vol. 1

The Landscape Painter's Workbook is the definitive hands-on guide to the time-honored techniques and essential elements of landscape painting. Written by celebrated landscape artist, instructor, and author Mitchell Albala, this richly informative and beautifully illustrated volume leads you step by step through his approach to the genre, from establishing a composition using basic shapes to applying time-tested color strategies, with all-new lessons, practical exercises, and special topics, including: The Complete Color Strategy. What are the three aspects of color contrast that guide a painting's strategy? Notan. Explore this special type of compositional study, which identifies the underlying shapes and patterns of a composition. Picture Formats. How does the picture format-horizontal, vertical, or square-affect the composition? What are the pros and cons of each? Color Grouping. A full chapter details this special practice, which helps maintain harmony by organizing colors into a limited number of groups. Composition. An in-depth review of variation, movement, and active negative space, with illustrations that diagram the action in each example. Workshop Exercises. Instead of demonstrations that show how the author paints, The Landscape Painter's Workbook includes 10 skill-building workshop exercises to help you work through essential lessons on your own. With examples of work by 45 contemporary landscape painters-more than 80 paintings in all- in oil, acrylic, pastel, and watercolor, the lessons are suitable for all mediums. Each painting is thoroughly analyzed in terms of shape, composition, or color, with supporting diagrams, thumbnails, and photographs. The Landscape Painter's Workbook inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the majesty and subtlety of the natural world. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Angela Harding is a fine art painter and illustrator based in Rutland, UK. The Salt Path was featured on the cover of the bestselling book (of the same name) by Raynor Winn, shortlisted for the 2018 Wainwright Prize and the 2018 Costa Book Awards in the biography category. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps and two bookmarks. These are perfect for personal use and make a dazzling gift. This example is based on Gustav Klimt's The Kiss. The Kiss is a prime example of Klimt's 'Golden Phase', in which he began to feature especially sumptuous ornamentation on a regular basis in his paintings. The couple in this artwork represent the mystical union of spiritual and erotic love, and the connection of life and the universe.

Presents paintings and drawings of Jewish Lithuania with introductory articles. The artist's subjects are the poor people that live where Jews once lived, synagogues and churches. The captions explain the story of a lost community.

This is poetry about the everyday happenings in life - observations on everything from estate agents to pelican crossings, with some nonsense rhymes thrown in for good measure. Each chapter has a painting by the author which is relevant to the subject matter, making it a colourful poetry book which is sometimes poignant, sometimes amusing, and sometimes fun.

Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources — including inventories, sale catalogues and her work diary — Elisabetta Sirani provides an overview of the life, work, critical fortune and legacy of this successful Baroque artist. Placing her within the context of the post-Tridentine society that both inhibited and supported her, Modesti examines Sirani's influence on many of the artists studying at Bologna's school for professional women artists, as well as her significance in the professionalisation of women’s artistic practice in the seventeenth century. Beautifully illustrated throughout, Elisabetta Sirani focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning and literary construction as Bologna’s pre-eminent cultural heroine.