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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Piero di Cosimo: Painter of Faith and Fable makes available the
proceedings of a conference of the same name, hosted by the Dutch
University Institute for Art History (NIKI), Florence, in September
2015, at the conclusion of the second of two exhibitions dedicated
to Piero at the National Gallery of Art, Washington, and the
Galleria degli Uffizi, Florence. It is the twelfth publication in
the NIKI series and the first such anthology to be published by
Brill.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. Very little is known of
Charlotte Cowan Pearson's life but it is known that she was
admitted as a lady member of the Botanical Society of Edinburgh
(now Botanical Society of Scotland) in 1894 and that she was an
enthusiastic botanical artist. An album of Charlotte's beautiful
botanical paintings of British plants is held in the Library of the
Royal Botanic Garden Edinburgh and pays witness to her talents as
an artist. The artwork on this journal shows 'Stellaria nemorum,
Lepidium campestre, Asperula odorata, Stellaria holostea' painted
in 1871. THE FINAL WORD. As William Morris said, "Have nothing in
your houses that you do not know to be useful, or believe to be
beautiful."
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. Ernst Haeckle (1834- 1919)
was born in Germany and studied medicine at the University of
Berlin. Often referred to as 'The Man Who Merged Science with Art',
Haeckel spent his life researching flora and fauna. Not only did he
discover, describe, and name thousands of new species, but he
captured their forms with incredible illustrations. His work
continues to be key part of history in both the artistic and
scientific worlds. THE FINAL WORD. As William Morris said, "Have
nothing in your houses that you do not know to be useful, or
believe to be beautiful."
"I recall the long hours I sat for him... From time to time, as I
posed, half-asleep, I looked at the artist standing at his easel,
with features drawn, clear-eyed, engrossed in his work. He had
forgotten me, he no longer knew I was there, he simply copied me,
as if I were some kind of human beast, with a concentration and
artistic integrity that I have seen nowhere else." Zola's writings
on Manet, the most important of which are presented in this volume,
were the first to identify the painter's seminal role in the
emergence of modern art.
Is it an Art Book? Yes, because it assembles the art works of Yair
Meshoulam and serves as an illustrated catalogue of his work to
date. No, because it is an interface between art and text, where
text is both language and image. In Yair Meshoulam's "Time is a
Texture of Consciousness", the text is texture. No, because it
includes poems by Ruth Fainlight and texts written by friends where
consciousness is explored in all its facets, from the intense
subjectivity of the "Locked-in Syndrome" to its absence in
"Thoughts without a Thinker". So what is it? It is a texture of
consciousness.
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Altdorfer
(Hardcover)
Albrecht Altdorfer Tho Sturge Moore
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R740
Discovery Miles 7 400
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A lavishly illustrated look at the sources behind the paintings of
Francis Bacon. Francis Bacon famously found inspiration in
photographs, film-stills and mass-media imagery. In this new,
updated edition of In Camera, Martin Harrison reveals how these
sources informed some of Bacon's most important paintings and
triggered decisive turning points in the artist's stylistic
development. Key influences, including the masters Velazquez,
Poussin and Rodin, the photographer Eadweard Muybridge and the film
director Sergei Eisenstein, are given close consideration. Bacon's
work is examined in relation to the precedents set by other artists
working in the tradition of making use of mechanical reproductions,
including Pablo Picasso and Walter Sickert, and in the context of
his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland and
Patrick Heron. With the aid of over 270 illustrations, including
valuable source images and documents, In Camera is a bravura
accomplishment of original research, addressing important questions
about Bacon's painting practice and shedding fresh light on his
life and work.
Ivon Hitchens (1893-1979) is widely regarded as the outstanding
English landscape painter of the 20th century. Immediately
recognisable by its daring yet subtle use of colour and brushmark
to evoke the spirit of place, his work is to be found in public and
private collections throughout the world. This is the definitive
study of Hitchens' life and work. Peter Khoroche draws on the
painter's published writings, correspondence and conversation to
create a critical reappraisal of Hitchens' theory and practice. He
surveys the entire oeuvre (still-lifes, flower pieces, nudes,
interiors and large-scale murals besides the landscapes), a huge
legacy of work spanning sixty years, and charts the journey from
conventional beginnings to 'figurative abstraction'. A selection of
over 100 colour images, examples of Hitchens' best and most
characteristic painting in all genres, provide a retrospective
exhibition covering the artist's entire career. These
illustrations, singled out for praise by reviewers of the hardback
edition, demonstrate the artist's outstanding talents and reinforce
his standing as a key figure in the history of British art.
Pocket Art features 100 artistic prompts to unleash your
creativity. In Pocket Art, Lorna Scobie, the bestselling author and
illustrator of the 365 Days series, encourages you to be confident
with your art, embrace mistakes and to have fun along the way. It
is full of activities to help kickstart your creativity, and the
activities have been divided into three categories - art for
relaxing, art for looking and art for inspiration - so you can feel
inspired no matter what mood you're in. Full of tips to help spark
creative ideas, as well as inspiration and support, Pocket Art is
the perfect pocket-sized art book to take with you wherever you go.
In his third book, Strauss delves into the mysterious process
whereby an idea is born in the mind and materialized through the
hand in the expression of an artwork. How exactly does this happen?
It's a question so basic, an act so fundamental to art-making, that
it has rarely received attention. It makes an ideal topic for
Strauss, a writer with an exceptional ability to animate art's
philosophical dimensions in a clear, persuasive manner. During this
time when craft and the direct manipulation of materials by the
artist appear to be in eclipse, Strauss comes to their defense in a
spirited cri de coeur.
Featuring over 35 illustrations, the book examines a wide variety
of media and individual examples. It explores the works of
sculptors Martin Puryear, Ursula von Rydingsvard, and Donald
Lipski; painters Leon Golub and Ron Gorchov; and writers Robert
Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo
Steinberg. In addition, there are essays on Joseph Beuys's 7000
Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim
Hart, Cecilia Vicuna's "memory of the fingers," and the influence
of curators Harald Szeemann and Walter Hopps on the staging of
contemporary art exhibitions.
Known primarily for his writings on photography and politics,
Strauss here focuses on the least mediated arts--painting,
sculpture, and writing. His claims are supported by a series of
close readings which succeed in recovering the immediacy of the
hand and revitalizing contemporary art's connection to the past."
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. John James Audubon (born
Jean-Jacques Rabin) was an ornithologist, naturalist, and painter.
His major work, The Birds of America, published between 1827 and
1839, was an extensive study documenting all types of American
birds in their natural habitats. It is considered one of the finest
ornithological works ever completed and he is the namesake of many
streets, towns, and neighbours across America. THE FINAL WORD. As
William Morris said, "Have nothing in your houses that you do not
know to be useful, or believe to be beautiful."
Painted Caves, a beautifully illustrated introduction to the oldest
art of Western Europe, charts the historical background to the
acceptance of a Palaeolithic age for the very ancient paintings
found in caves. Offering an up-to-date overview of the geographical
distribution of the sites found in southern France and the Iberian
Peninsula, and examples known in Britain, Italy, Romania, and
Russia, Lawson's expert study is not restricted to the art in
caves, but places this art alongside the engravings and sculptures
found both on portable objects and on rock faces in the open air.
Written from an archaeological perspective, the volume stresses how
the individual images cannot be considered in isolation, but should
rather be related to their location and other evidence that might
provide clues to their significance. Although many scholars have
put forward ideas as to the meaning and function of the art, Lawson
discusses some of the substantive theories and offers glimpses of
his own experience in the field and enduring fascination for the
subject.
Take your art in a bold new direction-go gouache! In Creative
Gouache, artist Ruth Wilshaw shares her step-by-step techniques for
creating brilliantly vibrant effects with this easy-to-master
medium, a perfect companion for transparent watercolor. In this
comprehensive guide to gouache, you'll: Get an overview of
essential materials and surfaces. Learn basic handling and
coloring-mixing techniques, including layering, creating blends,
and adjusting opacity, plus troubleshooting tips for common
challenges, such as dealing with shifts in color and value from wet
to dry. Explore how to paint fun, simple motifs, flowers,
butterflies, landscapes, and lettering. Discover fun gouache
techniques, such as adding texture and painting gradients and
blends. Learn how to incorporate other mediums with gouache,
including paint pens, colored pencil, and watercolor. Use what you
learn to create inspiring projects such as dimensional artwork,
clay decor pieces, and cheerful banners. See what you can create
with gorgeous, wall-to-wall color with Creative Gouache! Perfect
for creative beginners, the books in the Art for Modern Makers
series take a fun, practical approach to learning about and working
with paints and other art mediums to create beautiful DIY projects
and crafts.
Bridget Riley, one of the leading abstract painters of her
generation, holds a unique position in contemporary art. She has
developed and extended the range of her interests ever since her
first success in the 1960s, creating a body of work which is both
consistent and highly varied. This volume, now fully revised and
updated, reveals the mind behind this remarkable aachievement,
drawing together the most important texts and interviews of the
last fifty years. Riley's writings show a passionate engagement
with her subjects and a great insight paired with a freshness of
approach and an exceptional clarity of expression. Quite apart from
providing a key to understanding her own work, this book is a
fascinating document reflecting the issues and problems facing an
artist in the 21st century.
One of the greatest biographies of an artist ever written, and a
key document of the Renaissance. Written by a friend, fellow
painter and fellow Florentine. Michelangelo Buonarrotti (1475-1564)
is perhaps the greatest artist in the entire Western tradition. In
painting, sculpture and architecture he created works that went
beyond anything imagined before. The David - miraculously created,
as Vasari describes, out of a piece of marble botched by another
sculptor - the Sistine Ceiling, the Sistine Last Judgement, before
which the Pope knelt in terrified prayer when it was first
unveiled: these works have lost none of their awe-inspiring power.
Michelangelo's impact was immediate, and he achieved a level of
fame and influence that was unprecedented. It is not surprising,
therefore, that the painter Giorgio Vasari should have made him the
culmination of his Lives of the Painters, Sculptors and Architects,
the first true work of art history. Vasari was a close colleague as
well as a fellow-artist and fellow- Florentine. The biography
printed here, from Vasari's much improved second edition, draws a
picture of Michelangelo the man and the artist that has an
immediacy and an authority that have not been surpassed. The
introduction by David Hemsoll situates this great work in the
context of 16th century Italian art.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. The Royal Botanic Gardens,
Kew has a gallery dedicated to the paintings of the remarkable
Victorian artist Marianne North, who had a great eye for botanical
detail. She set out in 1871 on a painterly progress through world
flora. THE FINAL WORD. As William Morris said, "Have nothing in
your houses that you do not know to be useful, or believe to be
beautiful."
Drawing Masterclass explores the act of vision of the world's great
artists, describing how their work was created to allow you to
weave some of their magic into your own paintings. With detailed
analyses and instructive creative tips sections, you can learn how
to convey movement like Degas, apply acrylic like Twombly, and
command colour like Matisse. The book is organized into seven
chapters covering important genres: nudes, figures, landscapes,
still life, heads, fantasy and abstraction. Each chapter selects a
cross section of artists and examines their practice in detail,
using key paintings. Each artist is described through one of 100
selected masterpieces, plus a biographical profile and a practical
look at the way the painting was made: the materials and technique,
an examination of the ideas and inspiration behind its making and
how the artist's life might reflect their concerns. Light and
shade, rhythm, form, space, contour and composition are all covered
in detail. The book covers a broad historical and geographic sweep,
and includes many of the most celebrated male and female artists.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. Sir Herbert and Lady Ingram
spent their honeymoon in Japan, where they collected hundreds of
objects now in the Ashmolean's collection. This Cloisonne casket
was bought in Kin'unken. THE FINAL WORD. As William Morris said,
"Have nothing in your houses that you do not know to be useful, or
believe to be beautiful."
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