A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Ernst Haeckle (1834- 1919) was born in Germany and studied medicine at the University of Berlin. Often referred to as 'The Man Who Merged Science with Art', Haeckel spent his life researching flora and fauna. Not only did he discover, describe, and name thousands of new species, but he captured their forms with incredible illustrations. His work continues to be key part of history in both the artistic and scientific worlds. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

The fairy tales of the Brothers Grimm according to David Hockney are like no other version you will have read before. Although inspired by earlier illustrators of the tales, from Arthur Rackham to Edmund Dulac, Hockney's extraordinary etchings re-imagine these strange and supernatural stories for a modern audience, capturing their distinctive atmosphere in a style that is recognisably the artist's own. Reprinted for the first time since its original publication in 1969, Hockney's book brings together some well-known tales - Rapunzel, Rumpelstiltskin - with others that are less familiar. Informed by great art of the past, attuned to idiosyncrasies of character and incident, and fresh in execution and content, his illustrations invite us to read each one as if for the first time.

Piero di Cosimo: Painter of Faith and Fable makes available the proceedings of a conference of the same name, hosted by the Dutch University Institute for Art History (NIKI), Florence, in September 2015, at the conclusion of the second of two exhibitions dedicated to Piero at the National Gallery of Art, Washington, and the Galleria degli Uffizi, Florence. It is the twelfth publication in the NIKI series and the first such anthology to be published by Brill.

Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world. This is the definitive study of Hitchens' life and work. Peter Khoroche draws on the painter's published writings, correspondence and conversation to create a critical reappraisal of Hitchens' theory and practice. He surveys the entire oeuvre (still-lifes, flower pieces, nudes, interiors and large-scale murals besides the landscapes), a huge legacy of work spanning sixty years, and charts the journey from conventional beginnings to 'figurative abstraction'. A selection of over 100 colour images, examples of Hitchens' best and most characteristic painting in all genres, provide a retrospective exhibition covering the artist's entire career. These illustrations, singled out for praise by reviewers of the hardback edition, demonstrate the artist's outstanding talents and reinforce his standing as a key figure in the history of British art.

Now available in paperback, this book remains the definitive survey of the life and work of Surrealist artist Leonora Carrington (1917-2011). Carrington burst onto the Surrealist scene in 1936, when, as a precocious nineteen-year-old debutante, she escaped the stultifying demands of her wealthy English family by running away to Paris with her lover Max Ernst. She was immediately championed by Andre Breton, who responded enthusiastically to her fantastical, dark and satirical writing style and her interest in fairy tales and the occult. Her stories were included in Surrealist publications, and her paintings in the Surrealists' exhibitions. After the dramas and tragic separations of the Second World War, Carrington ended up in the 1940s as part of the circle of Surrealist European emigres living in Mexico City. Close friends with Luis Bunuel, Benjamin Peret, Octavio Paz and a host of both expatriate Surrealists and Mexican modernists, Carrington was at the centre of Mexican cultural life, while still maintaining her European connections. Leonora Carrington: Surrealism, Alchemy and Art provides a fascinating overview of this intriguing artist's rich body of work. The author considers Carrington's preoccupation with alchemy and the occult, and explores the influence of indigenous Mexican culture and beliefs on her production.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Lucy Innes Williams is a painter and illustrator with an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century. She uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Is it an Art Book? Yes, because it assembles the art works of Yair Meshoulam and serves as an illustrated catalogue of his work to date. No, because it is an interface between art and text, where text is both language and image. In Yair Meshoulam's "Time is a Texture of Consciousness", the text is texture. No, because it includes poems by Ruth Fainlight and texts written by friends where consciousness is explored in all its facets, from the intense subjectivity of the "Locked-in Syndrome" to its absence in "Thoughts without a Thinker". So what is it? It is a texture of consciousness.

Over the past three decades, guidance on the selection of art in hospitals has suggested realistic art that depicts soothing and comforting images such as tranquil waters, green vegetation, flowers, and open spaces. Based on these findings, curators have been cautioned to avoid art with uncertain meaning that risks upsetting viewers in stressful states. However, some hospitals exhibit ambiguous or abstract art and cite anecdotal evidence of its appropriateness for healthcare settings. More recent research is going beyond anecdotal evidence, and indicates that the ambiguity of meaning in abstract compositions can have positive effects. 'Purpose-built' Art in Hospitals is built on an international study of artwork in hospitals around the globe. Exploring 'purpose-built' (specially commissioned) artwork in hospitals through the dual lens of an artist and healthcare professional, Rollins identifies 15 specific 'purposes' of visual artwork in hospitals and presents a compelling case for their use that is grounded in research. The book builds the reader's understanding of the many functions of artwork in hospitals, with the goal of encouraging greater variety in art offerings to better serve the many diverse needs of patients, families, visitors and staff within the hospital environment.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. John James Audubon (born Jean-Jacques Rabin) was an ornithologist, naturalist, and painter. His major work, The Birds of America, published between 1827 and 1839, was an extensive study documenting all types of American birds in their natural habitats. It is considered one of the finest ornithological works ever completed and he is the namesake of many streets, towns, and neighbours across America. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.
Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuna's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions.
Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past."

Painted Caves, a beautifully illustrated introduction to the oldest art of Western Europe, charts the historical background to the acceptance of a Palaeolithic age for the very ancient paintings found in caves. Offering an up-to-date overview of the geographical distribution of the sites found in southern France and the Iberian Peninsula, and examples known in Britain, Italy, Romania, and Russia, Lawson's expert study is not restricted to the art in caves, but places this art alongside the engravings and sculptures found both on portable objects and on rock faces in the open air. Written from an archaeological perspective, the volume stresses how the individual images cannot be considered in isolation, but should rather be related to their location and other evidence that might provide clues to their significance. Although many scholars have put forward ideas as to the meaning and function of the art, Lawson discusses some of the substantive theories and offers glimpses of his own experience in the field and enduring fascination for the subject.

One of the greatest biographies of an artist ever written, and a key document of the Renaissance. Written by a friend, fellow painter and fellow Florentine. Michelangelo Buonarrotti (1475-1564) is perhaps the greatest artist in the entire Western tradition. In painting, sculpture and architecture he created works that went beyond anything imagined before. The David - miraculously created, as Vasari describes, out of a piece of marble botched by another sculptor - the Sistine Ceiling, the Sistine Last Judgement, before which the Pope knelt in terrified prayer when it was first unveiled: these works have lost none of their awe-inspiring power. Michelangelo's impact was immediate, and he achieved a level of fame and influence that was unprecedented. It is not surprising, therefore, that the painter Giorgio Vasari should have made him the culmination of his Lives of the Painters, Sculptors and Architects, the first true work of art history. Vasari was a close colleague as well as a fellow-artist and fellow- Florentine. The biography printed here, from Vasari's much improved second edition, draws a picture of Michelangelo the man and the artist that has an immediacy and an authority that have not been surpassed. The introduction by David Hemsoll situates this great work in the context of 16th century Italian art.

Discover the creativity that lies hidden within you and express it

Painting because it is such a flexible and adaptable form of art gives us unparalleled freedom to express what we are feeling. Through colors, forms, lines, even fabrics, we can tap into our deepest emotions and thoughts; we can access our very source. Given this opportunity, we unburden our spirits and are freed to express ourselves. from the Introduction

What can you learn about yourself through painting? How can a piece of artwork reflect your own personality, beliefs and values? How can touching brush to canvas help you portray something about yourself that is otherwise inexpressible?

Delve into these questions and more in this imaginative, creative resource. Professional artist and beloved teacher Linda Novick leads you on an exploration of the divine connection you can experience through art. Each chapter includes a simple yoga-inspired breathing and stretching exercise to focus your mind and refresh your body, along with an original art project that helps you explore a theme essential to both your creativity and your spirituality. Whether you re a painting novice or an accomplished artist, no matter your faith and background, this engaging book has a place for you. Experience the joy of unbridled creativity

A SUNDAY TIMES BESTSELLER 'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated... Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art ... This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois 'Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.

Definitive introduction to the art and artists of Mexico during great artistic movements of the twenties and thirties. In-depth discussion of major figures-Diego Rivera, Jose Clemente Orozco and David Alfaro Siqueiros-as well as 40 other artists: Galvan, Cantú, Meza, more. Fascinating insights, political and social movements, historical context, etc. 95 illustrations.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features one of Vincent van Gogh's most famous paintings, Starry Night Over the Rhone. In a letter to his sister Wilhemina, Van Gogh wrote: 'Often it seems to me night is even more richly coloured than day.' In this night painting, the sky is Prussian blue, ultramarine and cobalt, with sparkling yellow gaslights and stars. The spot depicted is in Arles, close to the Yellow House he famously rented.

The definitive, comprehensive guide to botanical painting, covering basic botany, plant groups and a scientific approach to the subject. Drawing on her experience as a botanical art teacher, Christina Brodie takes you on a holistic approach to botanical art and expertly covers botanical terminology, drawing and painting techniques in a wide range of media, dissection and examination of plants, fieldwork studies, microscope work and tips on presentation. Through step-by-step projects and with clearly explained techniques, learn to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.