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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
The first monograph and only substantial publication on the work of
Patrick George (born 1923), this book will reveal to a largely
unsuspecting public the lyrical paintings of a rare and original
talent. George is better known as a teacher; he taught for forty
years at the Slade School of Fine Art, University College, London
before eventually becoming Director there. He has only shown his
work infrequently, yet perceptive commentators have identified him
as a School of London painter, to be viewed in the same context as
Lucian Freud (a friendly rival), Frank Auerbach (a strong supporter
of George's work), and Euan Uglow (George's close friend and
colleague). For too long dismissed as a follower of Coldstream,
Patrick George is in fact very much his own man, a Northern
European landscape and figure painter, working in the tradition of
Gainsborough and Constable. In this book, his unique contribution
to the development of contemporary landscape painting is for the
first time examined and evaluated.
Here is our garden. The gate is not locked But don't venture in if
you're easily shocked. We admit that our plantings won't please
everyone; But if you're unsettled, that's part of the fun. See
these creepers - like this one, that's wrapped round your feet?
They creep terribly fast, and they only eat meat. Oh, and though
they look pretty, please don't pick the flowers; They pick back,
and their nails are far sharper than ours. You've seen how our
chickens don't scratch in the mud? They're vampire hens, and they
much prefer blood. And our goat, with the red eyes like smouldering
coals? Satan's his name: he devours human souls. But don't be too
frightened: all's not what it seems. These flora and fauna are
tissues of dreams; And the monsters we dredge from the depths of
our brain Fall asleep when we wake...or they'd drive us insane.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Written by the art dealer and friend who was among the first to
recognise Rousseau's importance, these Recollections present a
movingly personal portrait of the artist known as Le Douanier (the
Customs Officer).
Keep the page in your book with this gorgeous pack of 10 foiled
bookmarks, printed on both sides, with a silky ribbon and featuring
artwork by Vincent van Gogh. Vincent Van Gogh composed this
painting while he was in the Saint-Remy mental asylum, near Arles.
The bold use of impasto and the beauty of the towering trees have
made this one of his most recognisable works. There are various
other versions of the painting, one of which features a closer view
of the cypresses painted vertically, as well as a replica of this
version that Van Gogh painted for his mother and sister.
Esther Mahlangu: To Paint is in My Heart is a captivating exploration
of the life and work of the iconic South African painter, one of the
most influential artists of Pan-African Contemporary Art.
Esther Mahlangu is globally acclaimed for her bright and bold abstract
paintings with vivid, geometric patterns that are rooted in South
Africa’s Ndebele artistic tradition. She was a disruptor from an early
age, becoming the first person to reimagine Ndebele visual artistic
style—historically used for decorating houses—on painting media such as
canvas, and has become a much-loved cultural ambassador of the Ndebele
Nation.
Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s
remarkable journey as a pioneer of contemporary African art, whose
vibrant and distinctive paintings have captured the hearts of many
worldwide. Through a series of interviews with Mahlangu conducted by
Hans Ulrich Obrist, Azu Nwagbogu, and Thomas Girst, readers will gain
insight into her creative process, inspiration, and the cultural
significance of her work. With stunning visuals and engaging
narratives, this book offers an inspiring experience to the reader.
Life of Newlyn/St Ives artist famed for his paintings of animals
and birds.
Known for his grand public murals, Diego Rivera (1886-1957) is one
of Mexico's most revered artists. His paintings are marked by a
unique fusion of European sophistication, revolutionary political
turmoil, and the heritage and personality of his native country.
Based on extensive interviews with the artist, his four wives
(including Frida Kahlo), and his friends, colleagues, and
opponents, The Fabulous Life of Diego Rivera captures Rivera's
complex personality--sometimes delightful, frequently infuriating
and always fascinating--as well as his development into one of the
twentieth century's greatest artist.
What can philosophy reveal about painting and how might it deepen
our understanding of this enduring art form? Philosophy of Painting
investigates the complex relationship between the painted surface
and the depicted subject, opening up current debates to address
questions concerning the historicality of art. Embracing
contemporary painting, it examines topics such as the post-medium
condition and the digital divide, and the work of artists such as
Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse.
Illustrated with 24 colour plates and highly readable throughout,
Philosophy of Painting provides a philosophically rigorous defence
of the relevance of painting in the 21st century, making an
original contribution to the major ideas informing painting as an
art. Here is a clear and coherent account of the contemporary
significance of painting and the pressures and possibilities that
distinguish it from other art forms.
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