Esther Mahlangu: To Paint is in My Heart is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.

Esther Mahlangu is globally acclaimed for her bright and bold abstract paintings with vivid, geometric patterns that are rooted in South Africa’s Ndebele artistic tradition. She was a disruptor from an early age, becoming the first person to reimagine Ndebele visual artistic style—historically used for decorating houses—on painting media such as canvas, and has become a much-loved cultural ambassador of the Ndebele Nation.

Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s remarkable journey as a pioneer of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Hans Ulrich Obrist, Azu Nwagbogu, and Thomas Girst, readers will gain insight into her creative process, inspiration, and the cultural significance of her work. With stunning visuals and engaging narratives, this book offers an inspiring experience to the reader.

Known for his grand public murals, Diego Rivera (1886-1957) is one of Mexico's most revered artists. His paintings are marked by a unique fusion of European sophistication, revolutionary political turmoil, and the heritage and personality of his native country. Based on extensive interviews with the artist, his four wives (including Frida Kahlo), and his friends, colleagues, and opponents, The Fabulous Life of Diego Rivera captures Rivera's complex personality--sometimes delightful, frequently infuriating and always fascinating--as well as his development into one of the twentieth century's greatest artist.

Life of Newlyn/St Ives artist famed for his paintings of animals and birds.

What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

Jao Tsung-i was China's last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong's global heyday. Dunhuang is China's traditional northwest frontier and overland conduit of exchange with the Old World. In this volume, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang's oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.