For students of Chinese art and culture this anthology has
proven invaluable since its initial publication in 1985. It
collects important Chinese writings about painting, from the
earliest examples through the fourteenth century, allowing readers
to see how the art of this rich era was seen and understood in the
artists' own times. Some of the texts in this treasury fall into
the broad category of aesthetic theory; some describe specific
techniques; some discuss the work of individual artists. Presented
in accurate and readable translations, and prefaced with artistic
and historical background information to the formative periods of
Chinese theory and criticism. A glossary of terms and an appendix
containing brief biographies of 270 artists and critics add to the
usefulness of this volume.
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