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Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Oriental art
For students of Chinese art and culture this anthology has
proven invaluable since its initial publication in 1985. It
collects important Chinese writings about painting, from the
earliest examples through the fourteenth century, allowing readers
to see how the art of this rich era was seen and understood in the
artists' own times. Some of the texts in this treasury fall into
the broad category of aesthetic theory; some describe specific
techniques; some discuss the work of individual artists. Presented
in accurate and readable translations, and prefaced with artistic
and historical background information to the formative periods of
Chinese theory and criticism. A glossary of terms and an appendix
containing brief biographies of 270 artists and critics add to the
usefulness of this volume.
Ming porcelain is widely regarded among the world's finest
cultural treasures. From ordinary household items patiently refined
for imperial use, porcelain became a dynamic force in domestic
consumption in China and a valuable commodity in export trade. In
the modern era, it has reached unprecedented heights in art
auctions and other avenues of global commerce.
This book examines the impact of consumption on the evolution of
porcelain and its transformation into a foreign cultural icon. The
book begins with an examination of ways in which porcelain was
appreciated in Ming China, followed by a discussion of encounters
with Ming porcelain in several global regions including Europe and
the Americas. The book also looks at the invention of the phrase
and concept of 'the Ming vase' in English-speaking cultures and
concludes with a history of the transformation of Ming porcelain
into works of art.
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MarYsol
(Hardcover)
Marisol Williford
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R1,529
R1,257
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An exuberant journey through what might be called the Golden Age of
Outdoor Advertising in Cambodia. From 1990-2000, small businesses
blossomed, in contrast to the preceding decades when the Khmer
Rouge and Vietnamese regimes suppressed or vigorously regulated
entrepreneurial ventures. As free enterprise spread, so did an
abundance of eye-catching, creative, hand-painted shop signs.
Inspired by the simple beauty, and often humor, of their folk-art
style, public health officer Joel Montague began collecting these
unique advertising images in 1991. The Boston Center for the Arts
and the Fowler Museum at the University of California have
displayed his collection, now presented to readers here for the
first time. Montague's other books include "The Colonial Good Life:
A Commentary on Andre Joyeux's Vision of French Indochina,"
"Picture Postcards of Cambodia 1900-1950," and "La Terre de
Bouddha: Artistic Impressions of French Indochina."
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