The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries. Wen-Shing Chou examines a wealth of original source materials in multiple languages and media--many never before published or translated-such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site's religious landscape and redefined Inner Asia's relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet. A compelling exploration of the changing meaning and significance of one of the world's great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.

From its birth in the 7th century through modern times, the Islamic religion has inspired glorious works of art. This stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world: from southern Europe, along the entire Mediterranean basin to sub-Saharan Africa through the Middle East, India, and Central Asia. Arranged geographically, the objects include paintings, miniatures, ceramics, calligraphy, textiles, carpets, and metal works. Each region is given a thorough introduction that offers historical context and extensive descriptions of its artifacts. Accompanying essays offer guidance in interpreting the many themes that tie these works together, including typology, calligraphy, and religious beliefs. With its large format, exquisite reproductions, and extensive research, this book is a thorough introduction to the Islamic artistic tradition.

Asian activists, organizers, critics, teachers, artists, and entrepreneurs have become passionately involved in protecting Asia's heritage. In this book, twelve principal authors from eleven of the region's countries present their experience of what has been done in the past and their ideas on what should be done in the future. Chapters cover Siam's temples, Korean religious murals, Beijing's neighborhoods, Lao textiles, Javanese ruins, Cambodian dance, old Bangkok and George Town, Philippine creative arts, Calcutta's architecture, China's salt industry, and the Burmese cat. This book records the start of a conversation that promises to transform the protection of Asia's heritage.

In this Japanese ink painting book renowned Japanese master Shozo Sato offers his own personal teaching on the beautiful art of sumi-e painting. Sumi-e: The Art of Japanese Ink Painting provides step-by-step, photo-by-photo instructions to guide learners in the correct form, motions and techniques of Japanese sumi-e painting. Featuring gorgeous images and practical advice, it includes guided instructions for 35 different paintings. From waterfalls to bamboo, learners paint their way to understanding sumi-e--a style of painting that is characteristically Asian and has been practiced for well over 1,000 years. Although it's sometimes confused with calligraphy, as the tools used are the same, sumi-e instead tries to capture the essence of an object or scene in the fewest possible strokes. This all-in-one resource also provides a timeline of brush painting history, a glossary of terms, a guide to sources and an index--making it a tool to use and treasure, for amateurs and professionals alike. This sumi-e introduction is ideal for anyone with a love of Japanese art or the desire to learn to paint in a classic Asian style. All disc content is alternatively accessible on tuttlepublishing.com/downloadable-content.

Beautifully illustrated with an array of Chinese art, this book offers a closer look at the rich variety of styles, decoration, motifs and patterns - and the sheer craftsmanship - of Chinese culture. The book is arranged thematically and opens by taking a look at the essential nature and meaning of Chinese art. Chapters that follow place the objects and designs into their cultural context. Each of the intriguing and beautiful artworks is then explored further with amazing close-up views, allowing the reader to get even closer than a behind-the-scenes museum or gallery tour. By showing the complete artwork alongside a detail, the authors provide a fresh view of each object which often allows intriguing comparisons between seemingly unrelated objects and media. The selection of art and details evoke the hand and eye of the most talented Chinese craftsmen past and present. Ideal as a spur to creative inspiration or as souvenir or introduction to a museum visit, this stunning book offers an alternative view of the wide range of Chinese art. The book highlights in close-up and gorgeous colour the most breathtaking aspects of workmanship, materials and design found in stunning ceramics, lacquer, jade, metalwork, brush painting and woodblock printing.

A collection of essays offering a creative look at crises past, present, future, and speculative.   Starting with the shared experience of crisis brought about by the COVID-19 pandemic and a planet sieged by disaster, Imaginable Worlds transforms tragedy into a framework for research and art, imagining a shared world beyond a global experience of emergency. Produced by the Smart Museum of Art and the Projects/Processes essay collection series, an initiative launched by the Serendipity Arts Foundation in New Delhi, this volume brings together the voices of artists, authors, and public intellectuals from a range of fields and locations. Suraj Yengde, named one of the “25 Most Influential Young Indians� by GQ Magazine; Siyanda Mohutsiwa, the brain behind the viral hashtag #IfAfricaWasABar; and Ho Tzu Nyen, the acclaimed artist behind the ongoing Critical Dictionary of Southeast Asia project, are among the diverse contributors who have come together to critically engage with ideas and practices that engage with a partially known or unknown world. Inviting fresh creative looks at crises past, imminent, immediate, and speculative, Imaginable Worlds considers questions of survival and invites us to imagine new modes of sensing, knowing, and dwelling.  

Decorate your desk, home, wedding or next get-together with these professional looking paper blossoms! This stunning book presents detailed instructions for eleven elegant and lifelike paper flower projects that will enhance any home or occasion. Paper flower expert Naomiki Sato starts by showing you how to fold seven types of paper roses using a variety of techniques for four- and five-sided blossoms, along with their stems, thorns and leaves, and how to assemble them. Four equally exciting papercraft projects follow, showing you how to make Japanese Cherry Blossoms, Bellflowers, tropical Plumeria (Frangipani) and Bougainvillea. Each of the eleven projects has detailed step-by-step photographs, diagrams and instructions that will guide intermediate to advanced folders through making these sophisticated-looking blossoms.

The Mongol period (1206-1368) marked a major turning point of exchange - culturally, politically, and artistically - across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.

Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, Chinese artists have developed a unique style-one that's famous throughout the world. This book highlights 50 Chinese paintings, pulled from museum collections in China and around the world, including: British Museum, London Museum of Fine Arts, Boston Metropolitan Museum of Art, New York Nelson-Atkins Museum of Art, Kansas Osaka City Museum of Art, Osaka Palace Museum, Beijing Palace Museum, Taipei Shanghai Museum, Shanghai The paintings shown are representative of the categories, historical periods and styles of this artistic tradition. Detailed professional interpretations and notes allow readers to learn more about the pieces themselves, the artists and the context in which they were created. Plus, photo enlargements of key details get readers up close to these masterpieces. As one of the world's oldest continuous art forms, Chinese painting has a truly special history. This comprehensive guide allows modern readers to travel through time, experiencing important moments in Chinese history and society through beautiful pieces of artwork.

A unique and compelling view of the work of leading contemporary artist Nalini Malani through the lens of her most recent commission This publication presents the latest work of Nalini Malani (b. 1946), recipient of the 2022 National Gallery Contemporary Fellowship with ArtFund. For over five decades, Malani's art has focused on giving a voice to the stories of those marginalized by history -particularly women. She is one of the most incisive artists of our time, and the acute analysis and poetic compassion of her experimental film, photography, painting, and drawing has influenced generations of others from the 1960s to the present day. For her first museum commission in the United Kingdom, Malani has created an immersive installation of large-scale, animated drawings inspired by the sites, histories, and collections of the National Gallery, London, and the Holburne Museum, Bath. With a floating palimpsest of digital images, Malani reveals, annotates, and shares new, underlying stories in some of Europe's best-known paintings, offering a contemporary and critical dialogue between past and present. With leading articles based on new research, sumptuous illustrations, and artist-led design, this extensive study documents the Fellowship alongside the artist's previous work. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: Holburne Museum, Bath October 7, 2022-January 8, 2023 The National Gallery, London March 2-June 11, 2023

Ink, Silk, and Gold explores the dynamic and complex traditions of Islamic art through more than 115 major works in a dazzling array of media, reproduced in full color and exquisite detail - manuscripts inscribed with gold, paintings on silk, elaborate metalwork, intricately woven textiles, luster-painted ceramics, and more. These objects, which originated within an Islamic world that ranges from Western Europe to Indonesia and across more than thirteen centuries, share a distinctive relationship to the materials they are made of: their color, shape, texture, and technique of production all convey meaning. Enhanced by texts from an international team of scholars and drawing on the latest technical information, Ink, Silk, and Gold is an inviting introduction to the riches of the Islamic art collection at the Museum of Fine Arts, Boston, and a window into a vibrant global culture.

Die Autorin befasst sich mit dem Wirken von Vladimir Boudnik (1924 - 1968), der zu den bedeutendsten tschechischen Kunstlern der zweiten Halfte des zwanzigsten Jahrhunderts gehoert. Mit seinen eigenen grafischen Verfahren, der aktiven, strukturellen und magnetischen Grafik, nahm er einen enormen Einfluss auf die Nachkriegskunst in der damaligen Tschechoslowakei. In dem kommunistischen Land stellte er sich mit seinem kunstlerischen Ausdruck gegen dem proklamierten Sozialistischen Realismus. Fast sein gesamtes Leben lang war er als Kunstler im Untergrund tatig und arbeitete als Arbeiter in einer Fabrik. Erst im Zusammenhang mit dem Prager Fruhling wurde er offiziell als Kunstler anerkannt. Nach dem Einmarsch der Soldaten des Warschauer Paktes sollte sein Name jedoch wieder fast komplett in Vergessenheit geraten.

- The first volume to explore the staggering collection of Jane and Kito de Boer- Functions as an introduction to Indian modernism, with strong representations of several individual artists as well as major movementsModern Indian Painting presents a survey of Indian painting from the late 19th century to the present day, drawn from the private collection of Jane and Kito de Boer remarkable for its broad historical scope and wide range of artists. The book clearly delineates major developments over a long period of time, while contextualizing them with previously unpublished examples by major artists. The first part of the book features the de Boers talking about their passion for India and Indian art. The second part presents a history of modern Indian painting, with essays on the Bengal School, the so-called 'Dutch Bengal' artists, the Calcutta naturalists, the portrait painters of the Bombay School in the early 20th century, the Progressive Artists Group and the post-Independence artists of Bengal. The de Boer collection also contains strong representations of a few individual artists, such as Chittaprosad, Ganesh Pyne, Ramachandran and Broota, whose works are explored through essays and interviews. The fact that many of these chapters draw almost exclusively on the de Boer collection is a testament to its incredible size and breadth. In this volume, we hope to show how the collection takes a dispassionate view of the global status of Indian art, while at the same time revealing a commitment and long-term engagement with the country and its creativity. With contributions from Partha Mitter, Giles Tillotson, Yashodhara Dalmia, Sona Datta, Sanjay Kumar Mallik and Rob Dean.

The Shang dynasty of north-central China (c. 1500-1000 BCE) was a flourishing Bronze Age civilization that maintained control over much of north China for nearly six hundred years. It also produced spectacular bronze ritual vessels that are among the greatest cultural and technological achievements of any ancient civilization. Ancient Chinese Bronzes offers readers the unique opportunity to see Daniel Shapiro's astonishing collection of ancient Chinese Shang dynasty bronze ritual vessels. The mystery and beauty of these bronzes is captured in dramatic large-format illustrations both in color and in black and white.

This is the first complete study and reappraisal of the remarkable collection of Japanese art at the Cincinnati Art Museum. It features a wealth of artifacts, including paintings and ceramics, metal objects and weaponry, screens, masks, cloisonne enamel, lacquer ware, ivory carvings, kimonos, and dolls, the majority dating from the Edo period (1615-1868) to the end of the Meiji Period in 1912.

In addition to an important introduction by Hou-mei Sung, curator of Asian art, there are contributions by two leading guest authors from Japan, professor Keiko Nakamachi and professor Masahiko Aizawa, who study the painted screens in the collection.

This pack contains 200 high-quality origami sheets printed with beautiful and inspiring Japanese woodblock prints. These colorful origami papers were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique designs, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back. This origami paper pack includes: 200 sheets of high-quality origami paper 12 unique designs Bright, vibrant colors Double-sided color 8.25 x 8.25 inch (21 cm) squares Step-by-step instructions for 6 easy-to-fold origami projects The woodblock prints in this paper pack are from famed ukiyo-e artists Hokusai and Hiroshige. Hokusai is best known for The Great Wave off Kanagawa (1830-32), while Hiroshige became famous for his series of prints The 53 Stations of the Tokaido (1832-1833).

This volume commemorates a new exhibition of Burmese artifacts at the Musee Guimet in Paris and showcases the vibrant art and manuscript traditions of Myanmar. The central pieces displayed in the exhibition were three richly illustrated manuscripts called parabaiks. These vivid paintings, which show lively festivals and the pageantry of daily religious and courtly life, are a window into the culture and customs of nineteenth-century Burma. Also in the exhibition were a number of other manuscripts, inscriptions, diagrams, and even an ornate wooden model of a traditional Burmese monastery. The accompanying essays-translated from the original French exhibition booklet-explore complexities of the Burmese language, manuscript production, and background of the exhibited items as well as explaining the festivities and other spirited scenes illustrated in the parabaiks.

The paintings of contemporary Thai artist Pichai Nirand (b. 1936) are a vivid exploration of the interplay between Thailand's Buddhist roots and its modern aspirations and struggles. Pichai engages fully with the world and belief system around him. Accompanying the full-color paintings is an incisive examination of the Thai moral and social themes of Pichai's paintings in terms of the Buddhist cycle of life. Philip Constable's sensitive analysis of the social, political, economic, and moral dimensions affecting the artist, coupled with careful reference to other contemporary Thai artists, illuminates the deep meaning and expression behind each painting. This book showcases a celebrated Thai artist who has spent a lifetime providing a Thai Buddhist perspective on the dilemmas and contradictions of the late twentieth and early twenty-first centuries.

Oriental Lifestyle will take you on a journey that explores astonishing artistic and architectural worlds, captured by a poetic eye. Like an enchanter, Guillaume de Laubier brings the ochre of the desert alive and highlights the splendour and wonders of palaces and residences rich in ancestral knowledge and history. We discover the beautiful diversity of the Orient-Occident alliance, which has given birth to an innovative and colourful style of decoration. We stop in front of the skyscrapers, museums, and modern villas that are revolutionising architecture and design in the Arab world. This is a book that celebrates the diversity of the art of living, architecture and design in the East today, from Egypt to Tunisia, Lebanon, Syria, Jordan, Turkey, Saudi Arabia, Bahrain, the United Arab Emirates, Qatar, and also Mauritania and Morocco. Text in English and French.

Despite China's long tradition of venerating the past as the ultimate source of cultural authority, the discourse of antiquity prior to the Song period (960-1279) demonstrated little concern for ancient objects. With a focus on physical artifacts of the past, Song intellectuals began a new discipline, "the study of bronze and stone" (jinshixue), that generated collections of items such as bronze vessels and bells, stone steles, and ink rubbings of inscriptions carved or cast on objects. This first comprehensive study in English of the Song antiquarian movement and how it refashioned the distant past uses textual and material evidence to examine this development, which has had long-lasting influence on Chinese intellectual history and on the preservation of material objects. In addition to collecting and comparing artifacts, Song antiquaries compiled extensive catalogs that included drawings, measurements, and meticulous descriptions. Their studies have contributed to the way history has been documented since the eleventh century and serve as a basis for archaeology of the modern period. Bronze and Stone contextualizes the Song antiquarian movement among previous Chinese engagements with antiquity, subsequent popular interest in ancient objects, and world antiquarianism.

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as "One Hundred Famous Views of Edo" (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

This samurai strategy books is the first widely available English translation of Yamamoto Kansuke's classic treatise on strategy and tactics. Secrets of the Japanese Art of Warfare is Thomas Cleary's translation of the seminal writings attributed to Yamamoto Kansuke on Japanese martial arts and military service. A mysterious man of humble origins, Yamamoto distinguished himself in the service of the redoubtable Takeda Shingen. Yamamoto was a career soldier and founder of the so-called "school of certain victory," from which the famous Miyamoto Musashi (The Book of Five Rings) emerged. His school developed the art of discerning situational combat advantage so that a warrior was able to commit to action only when success was virtually assured. Translated and accompanied with helpful insights by Thomas Cleary, one of the foremost translators of the martial wisdom of Asia, this book is for all persons engaged in military, law enforcement, or emergency response, as well as for martial artists, athletes, business executives, diplomats and politicians.

Chinese ceramics are among the most significant and widely collected decorative arts produced anywhere in the world, with a history that spans millennia. Despite the saturation of Chinese ceramics in global culture-in English, the word "china" has become synonymous with "porcelain"-the function of these works and the meaning of their often richly decorated surfaces are not always readily apparent. This new installment in the successful How to Read series enlightens readers on Chinese ceramics of all kinds, using highlights from the outstanding collection of The Metropolitan Museum of Art as a teaching tool. Accessible to a general audience and written by an expert on the subject, this book explains and interprets 40 masterworks of Chinese ceramics. The works represent a broad range of subject matter and type, from ancient earthenware to 20th-century porcelain, and from plates and bowls to vases and sculptural figures. Lavish illustrations showcase these stunning works and the decorations that adorn them, including symbolic scenes, flowers, and Buddhist and Chinese historical figures. Published by The Metropolitan Museum of Art/Distributed by Yale University Press