The International Institute for Asian Studies (IIAS) in Leiden has compiled a bibliographic database documenting publications on South and Southeast Asian art and archaeology. Twenty editors and documentalists in Leiden, Colombo, Bangkok, Dharwad, and Jakarta have collected the material in this first volume, and over 1,000 records describe monographs, articles in monographs, and articles in periodicals including reviews and Ph.D. dissertations published in 1996 and 1997. The records are arranged geographically and according to subject: pre- and proto-history, historical archaeology, ancient and modern art history, material culture, epigraphy and paleography, numismatics and sigillography.

The Making of A Modern Art World explores the artistic institutions and discursive practices prevailing in Republican Shanghai, aiming to reconstruct the operational logic and the stratified hierarchy of Shanghai's art world. Using guohua as the point of entry, this book interrogates the discourse both of guohua itself, and the wider discourse of Chinese modernism in the visual arts. In the light of the sociological definition of 'art world', this book contextualizes guohua through focusing on the modes of production and consumption of painting in Shanghai, examining newly adopted modern artistic practices, namely, art associations, periodicals, art colleges, exhibitions, and the art market.

With How to Draw Manga Furries, you'll follow the lead of five professional Japanese artists as they show you how to bring dynamic fantasy characters to life--on the page or on screen! Furries are anthropomorphic characters--animals who have human traits (not to be confused with kemonomimi, or humans with some animal features!). They're widely popular in manga, anime and cosplay--from fan favorites like Wolf's Rain and Lackadaisy to the newer Beastars and BNA: Brand New Animal. The genre allows creators to be more imaginative, freeing artists from traditional human personality traits, actions and physical appearance. With the help of the expert authors, you'll learn to draw: Anatomically correct furry manga bodies, skulls, faces, appendages and tails with human proportions Characters based on cats, dogs, wolves, foxes, goats, birds, whales, sharks, crocodiles, dragons--and more! Furries seen from their most powerful perspective--from muzzle to rump to flipper tip Illustrations shown from many various angles with different poses, positions and movements And so much more! With this book as your guide, your imagination will run wild as you create memorable heroes, wicked villains and compelling sidekicks with your pen or on screen. *Recommended for artists 10 & up*

In Chinese Symbolism and Art Motifs Fourth Edition, scholar C.A.S. Williams offers concise explanations of the important symbols and motifs relevant to Chinese literature, arts and crafts, and architecture. This reference book has been a standard among students of Chinese culture and history since 1941 and, in its Fourth Edition, has been completely reset with Pinyin pronunciation of Chinese names and words. Organized alphabetically, enhanced by over 400 illustrations, and clearly written for accessibility across a variety of fields, this book not only explains symbols and motifs essential to any designer, art collector, or historian, but delves into ancient customs in religion, food, agriculture, and medicine. Some of the symbols and motifs explicated are: The Eight Immortals, The Five Elements, The Dragon, The Phoenix, Yin and Yang. With Chinese Symbolism and Art Motifs, you can access hidden insights into the intentions behind works of Chinese craftsmanship, and the thorough explanations of each symbol, accompanied by the historical origins from which they arose, will complement your existing knowledge of any area of Chinese culture, or help you confidently explore new topics within the realm of Asian art and history.

Part of a series of handy, luxurious Flame Tree Pocket Books. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're delightfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use, handbags and make a dazzling gift. This version features the classic Asian masterpiece Hokusai's The Great Wave. The most notable period in Hokusai's artistic life was the latter part of his career, beginning in 1830 when he was 70 years old. He began the series of landscapes he is most famous for: 'Thirty-six Views of Mount Fuji', which included The Great Wave, off Kanagawa, probably his most iconic image.

The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan's impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.

No one captures the graces and idiosyncrasies of cats quite like the painters, printmakers, and haiku masters of Japan. From the Edo to the Showa period, many artists turned their gaze toward an unlikely subject: their small feline companions. Closely observed portraits in words and ink elevate the everyday adventures of cats: taking a nap on a Buddha statue's lap, daintily eating a rice ball, courting the neighbor's cat. This curated collection of poems, prints, and paintings will leave you inspired to cultivate the serenity and wonder embodied by these creators - and by the cats themselves. Presented as a sweet, jacketed paperback with thoughtful design touches, this volume includes each poem in both English and Japanese.

Sir Percival David made one of the finest collections of Chinese ceramics outside Asia. It includes many items of imperial quality, with beautiful examples of extremely rare Ru and guan wares as well as the famous David vases. Their inscriptions date to 1351, making them an internationally acknowledged yardstick for the dating of Chinese blue and white porcelain. Here are 50 selected highlights, all illustrated with colour photographs taken especially for this publication. The accompanying text provides details and draws out the important features of each piece. The range and scope of the collection provide the material for a stunning overview and accessible introduction to Chinese ceramic art.

In 1573, 712 bales of Chinese silk arrived in New Spain in the cargos of two Manila galleons. The emergence and the subsequent rapid development of this trans-Pacific silk trade reflected the final formation of the global circulation network. The first book-length English-language study focusing on the early modern export of Chinese silk to New Spain from the sixteenth to the seventeenth century, An Object of Seduction compares and contrasts the two regions from perspectives of the sericulture development, the widespread circulation of silk fashion, and the government attempts at regulating the use of silk. Xiaolin Duan argues that the increasing demand for silk on the worldwide market on the one hand contributed to the parallel development of silk fashion and sericulture in China and New Spain, and on the other hand created conflicts on imperial regulations about foreign trade and hierarchical systems. Incorporating evidence from local gazetteers, correspondence, manual books, illustrated treatises, and miscellanies, An Object of Seduction explores how the growing desire for and production of raw silk and silk textiles empowered individuals and societies to claim and redefine their positions in changing time and space, thus breaking away from the traditional state control.

This commentary on the Chinese masterpiece, The Classic of Tea, offers a fascinating perspective on this ancient pastime and art. The Classic of Tea, the first known monograph on tea in the world, was written in the 8th century by Lu Yu who devoted his entire life to the study of tea and is respected as the Sage of Tea. Wu Juenong, an agronomist and economist specializing in agriculture, has studied tea all his life. This book is the culmination of lifelong research on Chinese tea culture and history, introducing the readers to modern findings of effects and properties of tea, types of tea preparations, the evolution of tea growing regions and tea drinking customs across China, in addition to extensive annotation. Both scholarly and informative, An Illustrated Modern Reader of 'The Classic of Tea' has been acclaimed as a New Classic of Tea. An Illustrated Modern Reader of 'The Classic of Tea' also includes vivid illustrations and pictures of tools and utensils for the making and drinking of tea, either hand-drawn or collected by him, which the original The Classic of Tea lacked. Selected Chinese traditional paintings in the book illuminate the elegant art of brewing and drinking tea, the social rituals associated with tea drinking, and the reformative and cultural significance of tea ceremonies.

Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waals 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a mans sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society. This book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.

One of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative study of four complete sets of wall paintings dating back to the thirteenth and fourteenth centuries (the oldest examples), and their related images, painting criticism, stele inscriptions, and Daoist ritual manuals, the author offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the personalisations made by patrons of the four Heavenly Court paintings.

These fine-quality tear-out wrapping sheets feature twelve traditional Indonesian prints, suitable for craft projects as well as for gift wrapping. An introduction details the history and meaning of the Batik designs and provides some wrapping inspiration Tuttle Gift Wrapping Papers are an excellent value--a fraction of the price of a single sheet of gift wrap paper from stationery shops Each sheet is removable by tearing along a perforated line There are twelve sheets with twelve different patterns in each book