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The World Created in the Image of Man - The Conflict between Pictorial Form and Space in Defiance of the Law of Temporality (Hardcover, New edition)
Loot Price: R1,803
Discovery Miles 18 030
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The World Created in the Image of Man - The Conflict between Pictorial Form and Space in Defiance of the Law of Temporality (Hardcover, New edition)
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The World Created in the Image of Man investigates the development
of the third dimension in painting from the dramatic moment when
spatial construction becomes charged with an external force
antagonistic to the effort of forms, or human figures, to preserve
their permanence. The competitive contact between the external and
internal worlds represented in the picture brings a vital element
to the unfolding of art as it occurs in both the West and the East.
As the analysis of masterpieces from different historical periods
and cultures demonstrates here, this vital impulse becomes a
necessary part of pictorial composition and the measure of the
quality of the work of art. It can reveal itself in a limitless and
disparate variety of subject matter: a scene from Japanese court
life, as depicted in the illustrations of the early twelfth century
to the novel The Tale of Genji; a representation of the maternal
feeling of the Virgin anticipating the fate of her child in
Byzantine icon painting; Raphael's "universal interior" in The
School of Athens; Rembrandt's allegory of historic continuity in
Aristotle with the Bust of Homer. The progression of this dynamic
eventually leads to the surrender of form to space with the
Impressionists; and to the conclusion of the book, which considers
Postmodern art in the form of the installation, where the emphasis
is put on the unprecedented role of the viewer as a component of
the work, and which suggests an environment that is totally alien,
or even hostile to him. Art historians, students of art history and
the educated general reader with an interest in painting will find
this book a rewarding and stimulating read.
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