Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Edvard Munch. Munch's most famous painting exemplifies Norwegian Expressionism. The angst-ridden human condition has never been so superbly and unassailably conveyed as by the figure emitting a cry from the heart. Life, love and death are the themes which Munch endlessly explored in his paintings.

Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Wilhelm List. Austrian painter Wilhelm List was born in Vienna in 1864. He studied there as well as in Munich and Paris, learning from artists such as Christian Griepenkerl (1839-1912)and William Bouguereau (1825-1903). List co-founded the Vienna Secession with renowned artist Gustav Klimt (1862-1918), exhibiting at the very first Viennese Secession in March 1897. The Secessionists strove to break free of the constraints of the late nineteenth century academic art establishment. List's artwork was a mixture of portraits, landscapes and genre paintings, often with mythological subjects. Magnolia is among List's most well-known works. Its intricate depiction of a beautiful tree in bloom, with a background of still waters has a spiritual quality that evokes a sense of peace.

Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Gustav Klimt. The Kiss is a prime example of Klimt's 'Golden Phase', in which he began to feature especially sumptuous ornamentation on a regular basis in his paintings. The couple in this artwork represent the mystical union of spiritual and erotic love, and the connection of life and the universe.

Written by the art dealer and friend who was among the first to recognise Rousseau's importance, these Recollections present a movingly personal portrait of the artist known as Le Douanier (the Customs Officer).

The Lammermuir Hills have been an important trade route between Scotland and England for generations, as well as an effective barrier when necessary. Drawn by the long history of south-eastern Scotland and the many conflicting elements in play in its natural environment - among them wind farms, pylons, forestry plantations, grouse moors and sheep - the distinguished Scottish painter and printmaker Barbara Rae CBE RA has made numerous studies of these wild expanses. This handsome volume reproduces a wide selection of her intensely colourful images with accompanying photographs and maps, and texts by the art critic Duncan Macmillan, Emeritus Professor of the History of Scottish Art at the University of Edinburgh, and Maureen Barrie, who worked for many years at National Museums Scotland.

In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.