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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Drawing Masterclass explores the act of vision of the world's great artists, describing how their work was created to allow you to weave some of their magic into your own paintings. With detailed analyses and instructive creative tips sections, you can learn how to convey movement like Degas, apply acrylic like Twombly, and command colour like Matisse. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life, heads, fantasy and abstraction. Each chapter selects a cross section of artists and examines their practice in detail, using key paintings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the painting was made: the materials and technique, an examination of the ideas and inspiration behind its making and how the artist's life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail. The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.
Ink is the first in an exciting new practical-art series on popular mediums, including acrylic, oil, pencil and gouache. The books will cover painting techniques, creative ideas and applications, and the fun of mixing with other mediums. Many of the techniques and ideas will be demonstrated through the work of some of the world's greatest artists and illustrators. The first book explores ink's use in painting, illustration and lettering. With its contemporary aesthetic and accessible content, the series will appeal to artists of all abilities.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Bex Parkin is an incredibly talented illustrator. Having spent many years based in London working in a range of artistic jobs, she now lives in rural Staffordshire. Her passion for print, pattern and colour was largely inspired by her work sourcing vintage and antique textiles for the fashion industry, which can be seen throughout her artworks. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Pocket Art features 100 artistic prompts to unleash your creativity. In Pocket Art, Lorna Scobie, the bestselling author and illustrator of the 365 Days series, encourages you to be confident with your art, embrace mistakes and to have fun along the way. It is full of activities to help kickstart your creativity, and the activities have been divided into three categories - art for relaxing, art for looking and art for inspiration - so you can feel inspired no matter what mood you're in. Full of tips to help spark creative ideas, as well as inspiration and support, Pocket Art is the perfect pocket-sized art book to take with you wherever you go.
BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ART. Robert John Thornton’s New Illustration of the Sexual System of Carolus von Linnaeus (1799–1807) was comprised of three parts: a dissertation on the reproductive cycle of plants, an explanation of Linnaeus’ plant system, and ‘The Temple of Flora’. This third and final part was the most ambitious and has become instantly recognizable. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
This much acclaimed book, newly available in paperback, is the definitive retrospective of the most popular serious artist in the world today. Covering all media over almost fifty years, and presented thematically to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography, it also features quotes from the artist himself that illuminate the passionate thinking behind his work. Its huge international success confirms and reinforces Hockney's position as the world's most popular living artist.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
First published in 1965, Mannerism is the rediscovery and revaluation of Mannerism, that long misjudged artistic style which came into its own during the crisis of the Renaissance. Expressionism, Surrealism and Abstract Art prepared the ground for a new understanding of Mannerism, and Dr. Hauser shows how this revaluation signifies an even deeper caesura in intellectual history than the crisis of the Renaissance itself in which Mannerism arose. These propositions however, only touch on the problem which is exhaustively treated by Hauser in all its historical and thematical variations. The author does not confine himself to the observation of development from the point of view of the history of art. In Part One he considers the emergence of the scientific worldview during the Renaissance, the economic and social revolution, religious movements and political ideas, the problem of alienation, and narcissism as keys to the understanding of Mannerism. Part Two, which deals with the history of Mannerism both in Italy and abroad, gives not only remarkable analyses of works of art with the aid of 322 reproductions, but also considers leading representatives of the literature of the Mannerism in Italy, Spain, France, and England. Again, in Part Three, parallel and connecting lines are drawn between art and literature to make the rules of form and the contents clearly recognisable. The book will be of interest to students of art history and literature.
The spiritually inspired pictures of Agnes Pelton (1881-1961) have their roots in the desert of California, a place where the artist settled in 1932 and where she lived until her death. She wrote of her highly symbolic paintings that her pictures were "like little windows", which opened up a view into the interior, her "message of light to the world". In the 1920s Agnes Pelton started to explore abstract painting, because this offered her the possibility of translating esoteric topics into pictures as well as interpreting earth and light in a spiritual way. Like her fellow-artist Georgia O'Keeffe, Pelton deliberately turned her back on the art scene of the East Coast. She was celebrated for her abstract compositions: "... it is simply an oasis of beauty for the eye", was how American Art News eulogised her work. After her death Pelton's work disappeared from the public focus for a long time; today her important artistic contribution to American modernism is acknowledged once more.
One of the most accomplished human beings who ever lived, Leonardo da Vinci (1452-1519) remains a quintessential Renaissance genius. The perfect companion to the Leonardo Graphic Work edition, this book is a compact catalogue raisonne of all of the artist's masterful paintings. Drawn from our best-selling XXL edition, the book traces the artist's life and work across 10 chapters, presenting all known paintings and drawing on his letters, contracts, diary entries, and writings to explore the man behind such groundbreaking artworks. From Virgin of the Rocks to Virgin and Child with St. Anne to the ever-beguiling Mona Lisa, you'll find some of the finest treasures of the Louvre, Prado, and National Gallery, London here, as well as Leonardo works lost to time, but no less startling in their precision and poise. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Mabel Allington Royds (1874-1941) was born in Bedford. At age 15 she won a scholarship to London's Royal Academy but opted to study at the Slade. She is famed for her colourful woodcuts of flowers, along with Biblical and Indian scenes, her technique was indebted to Japanese woodcuts. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.
Born in Mexico in 1907, Frida Kahlo learned about suffering at an early age. She fell victim to polio at the age of six, and was then seriously hurt in a bus accident at eighteen, resulting in injuries that affected her for the rest of her life. The young and indomitable Frida met Diego Rivera, the great mural painter, when Mexico was at a great cultural and political crossroads. They formed a legendary partnership, with a strong attachment to Mexican folk art, a deep commitment to the Communist struggle and a raging artistic ambition that survived all the trials of their marriage. Admired by the Surrealists and photographed by the greatest, Frida was most renowned for her self-portraits and unusual still lifes. This book traces the extraordinary life of this artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment.
For the second installment of Nomenus, a limited edition arts publication, Erik Madigan Heck has curated a special issue titled The Language of Flowers, that seamlessly weaves together a curated selection of floral and figurative contemporary paintings and photographic studies from Anselm Kiefer, Rita Ackermann, Helen Frankenthaler, Gabriel Orozco, Nick Knight, Mircea Suciu, Miranda Lichtenstein, Ida Applebroog, Emily Mason, Christophe Yvore, Ben Sledsens, Martina Hoogland Ivanow, Brigitte Lustenberger, Alex Foxton, Kaye Donachie, Jesse Willenbring, Aubrey Levinthal, Erik Madigan Heck, and Tomo Campbell.
Claude Monet spent most of his life painting his own spontaneous impressions of nature and the world that was closest to him. His works provoked the description 'Impressionist', the name given to the style of art that he created together with Camille Pissarro and Alfred Sisley.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
This interdisciplinary collection of essays brings together scholars in the fields of art history, theatre, visual culture, and literature to explore intersections between the European avant-garde (c. 1880–1945) and themes of health and hygiene, such as illness, contagion, cleanliness, and contamination. Examining the artistic oeuvres of some of the canonical names of modern art – including Edgar Degas, Edvard Munch, Pablo Picasso, George Orwell, Marcel Duchamp, and Antonin Artaud – this book investigates instances where the heightened political, social, and cultural currencies embedded within issues of hygiene and contagion have been mobilised, and subversively exploited, to fuel the critical strategy at play. This edited volume promotes an interdisciplinary and socio-historically contextualised understanding of the criticality of the avant-garde gesture and cultivates scholarship that moves beyond the limits of traditional academic subjects to produce innovative and thought-provoking connections and interrelations across various fields. The book will be of interest to scholars working in art history, literature, theatre, cultural studies, modern history, medical humanities, and visual culture.
Discover a world filled with vibrant color and creative possibilities as you explore an array of painting, drawing, printing, and lettering techniques and styles using vivid colors of artist's ink. In Brilliant Inks, artist, illustrator, and top Skillshare teacher Anna Sokolova shares her own unique methods that get the most out of this versatile medium. With her guidance, create beginner-friendly florals and foliage, animals, still lifes, figures and portraits, and hand lettering. Learn about the various types of inks and the best tools and surfaces to use with them. Then, try basic techniques such as color mixing, creating visual texture, negative painting, and splattering. Work with a variety of brushes, dip pens, and droppers to get different looks, and see how adding common household supplies such as salt and bleach can create the most amazing effects. Use these methods in lessons designed to improve skills and boost confidence. Be inspired to make projects such as a bracelet, paper art dolls, a tote bag, and a decorated book. Full instructions and templates make projects fun and stress free. This incredible material offers so much that's waiting to be discovered: Vivid monotypes made in minutes using a combination of painting and printmaking methods Custom palettes created with unique blended colors Watercolor-like translucent washes and opaque silhouettes Techniques for creating beautiful motifs using simple brushstrokes and patterns. Begin your colorful journey today with Brilliant Inks and see how far your creativity can go! Perfect for all skill levels, the books in the Art for Modern Makers series take a fun, practical approach to learning about and working with paints and other art mediums to create beautiful DIY projects and crafts.
Joan Eardley (1921-1963) is one of Scotland's most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley's working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley's subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley's life and art.
Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This design features 'Fairy Story' by Jean and Ron Henry. |
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