"Using the palace records from the Vatican's Secret Archives,
Ruprecht demonstrates that the Vatican museum was the brainchild of
J.J. Winckelmann, the so-called father of Art History. Tracing both
Winckelmann's secret involvement in the emergence of modern art
museums and modern art history and their emergence from within
religious institutions, the author offers a new perspective on the
relationship of religion and art in the modern world"--
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