This is the first collection of critical essays on philosopher
jacques Ranciere's recent work on film. Jacques Ranciere (1940)
rose to prominence as a radical egalitarian philosopher, political
theorist and historian. Recently, he has intervened into the
discourses of film theory and film studies, publishing
controversial and challenging works on these topics. This book
offers an exciting range of responses to and assessments of his
contributions to film studies and includes a new piece by Ranciere
himself. It is a comprehensive assessment of Ranciere's
contribution to film studies and theory. The editor's introduction
orientates new readers into the historical and disciplinary debates
which are key to understanding Ranciere. It is a diverse range of
perspectives from important scholars who are themselves fascinating
and engaging writers and thinkers.
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