Paul Gilroy seeks to awaken a new understanding of W. E. B. Du
Bois intellectual and political legacy. At a time of economic
crisis, environmental degradation, ongoing warfare, and heated
debate over human rights, how should we reassess the changing place
of black culture?
Gilroy considers the ways that consumerism has diverted African
Americans political and social aspirations. Luxury goods and
branded items, especially the automobile rich in symbolic value and
the promise of individual freedom have restratified society,
weakened citizenship, and diminished the collective spirit. Jazz,
blues, soul, reggae, and hip hop are now seen as generically
American, yet artists like Jimi Hendrix, Chuck Berry, and Bob
Marley, who questioned the allure of mobility and speed, are not
understood by people who have drained their music of its moral
power.
Gilroy explores the way in which objects and technologies can
become dynamic social forces, ensuring black culture s global reach
while undermining the drive for equality and justice. Drawing on
the work of a number of thinkers, including Michel Foucault, Hannah
Arendt, Primo Levi, and Frantz Fanon, he examines the ethical
dimensions of living in a society that celebrates the object. What
are the implications for our notions of freedom?
With his brilliant, provocative analysis and astonishing range
of reference, Gilroy revitalizes the study of African American
culture. He traces the shifting character of black intellectual and
social movements, and shows how we can construct an account of
moral progress that reflects today s complex realities.
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