This book is the first of its kind to trace the development of one
of the largest and most important companies in British cinema
history, EMI Films. From 1969 to its eventual demise in 1986, EMI
would produce many of the key works of seventies and eighties
British cinema, ranging from popular family dramas like The Railway
Children (Lionel Jeffries, 1970) through to critically acclaimed
arthouse successes like Britannia Hospital (Lindsay Anderson,
1982). However, EMI's role in these productions has been recorded
only marginally, as footnotes in general histories of British
cinema. The reasons for this critical neglect raise important
questions about the processes involved in the creation of cultural
canons and the definition of national culture. This book argues
that EMI's amorphous nature as a transnational film company has led
to its omission from this history and makes it an ideal subject to
explore the 'limits' of British cinema.
General
Imprint: |
Springer Nature Switzerland AG
|
Country of origin: |
Switzerland |
Release date: |
2019 |
First published: |
2018 |
Authors: |
Paul Moody
|
Dimensions: |
210 x 148 x 12mm (L x W x T) |
Format: |
Paperback
|
Pages: |
220 |
Edition: |
Softcover reprint of the original 1st ed. 2018 |
ISBN-13: |
978-3-03-006918-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
Promotions
|
LSN: |
3-03-006918-4 |
Barcode: |
9783030069186 |
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