To explore the depth of the literary connection between William
Carlos Williams and Frank O'Hara, particularly in relation to their
American roots, this book examines their distinct responses to
Abstract Expressionism, or the New York School artists. Although an
outsider to this movement, Williams paid attention to its
increasing popularity and ultimately valued its importance in the
progression of American art. As an outsider, O'Hara functioned as a
vital critic and promoter of this group. Foremost among the artists
discussed here are Jackson Pollack, Robert Motherwell, and David
Smith.
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