"Animation: Genre and Authorship" is an overview of the distinctive
language of animation, its production processes, and the particular
questions about who makes it, under what conditions and with what
purpose. Arguably, animation provides the greatest opportunity for
distinctive models of "auteurism" and revises generic categories.
This is the first study to look specifically at these issues, and
to challenge the prominence of live action movie-making as the
first form of contemporary cinema and visual culture. Including
extensive analysis of individual animators and their operation
within studios such as Disney and Dreamworks, the book investigates
the use of animation in genres from horror and science fiction to
documentary and propaganda.
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