Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Coyness and Crime in Restoration Comedy - Women's Desire, Deception, and Agency (Paperback)
Loot Price: R1,135
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Coyness and Crime in Restoration Comedy - Women's Desire, Deception, and Agency (Paperback)
Series: Transits: Literature, Thought & Culture, 1650-1850
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Coyness and Crime in Restoration Comedy examines the extraordinary
focus on coy women in late seventeenth-century English comedy.
Plays by Etherege, Wycherley, Dryden, Behn, Shadwell, Congreve,
Trotter, Southerne, Vanbrugh, and Pix-as well as much modern
scholarship about them-taint almost all feminine modesty with
intimations of duplicity and illicit desire that must be contained.
Forceful responses by men, therefore, are implicitly exonerated,
encouraged, and eroticized. In short, characters become "women" by
performing coyness, only to be mocked and punished for it. Peggy
Thompson explores the disturbing dynamic of feminine coyness and
masculine control as it interacts with reaffirmations of church and
king, anxiety over new wealth, and emerging interests in liberty,
novelty, and marriage in late seventeenth-century England. Despite
the diversity of these contexts, the plays consistently reveal
women caught in an ironic and nearly intractable convergence of
objectification and culpability that allows them little innocent
sexual agency. This is both the source and the legacy of coyness in
Restoration comedy.
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