The iPhone has revolutionized not only how people communicate
but also how we consume and produce culture. Combining traditional
and social media with mobile connectivity, smartphones have
redefined and expanded the dimensions of everyday life, allowing
individuals to personalize media as they move and process constant
flows of data. Today, millions of consumers love and live by their
iPhones, but what are the implications of its special technology on
society, media, and culture?
Featuring an eclectic mix of original essays, "Moving Data"
explores the iPhone as technological prototype, lifestyle gadget,
and platform for media creativity. Media experts, cultural critics,
and scholars consider the device's newness and usability -- even
its "lickability" -- and its "biographical" story. The book
illuminates patterns of consumption; the fate of solitude against
smartphone ubiquity; the economy of the App Store and its perceived
"crisis of choice"; and the distance between the accessibility of
digital information and the protocols governing its use.
Alternating between critical and conceptual analyses, essays link
the design of participatory media to the iPhone's technological
features and sharing routines, and they follow the extent to which
the pleasures of gesture-based interfaces are redefining media use
and sensory experience. They also consider how user-led
innovations, collaborative mapping, and creative empowerment are
understood and reconciled through changes in mobile surveillance,
personal rights, and prescriptive social software. Presenting a
range of perspectives and arguments, this book reorients the
practice and study of media critique.
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