On December 8, 1967 "Time" magazine put "Bonnie and Clyde" on
its cover and announced, "The New Cinema: Violence ... Sex ...
Art." The following decade has long been celebrated as a golden age
in American film history. In this innovative study, Peter Kr?mer
offers a systematic discussion of the biggest hits of the period
(including "The Graduate" [1967], "The Exorcist" [1973] and "Jaws"
[1975]). He relates the distinctive features of these hits to
changes in the film industry, in its audiences and in American
society at large.
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