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John Locke and the Rhetoric of Modernity (Hardcover)
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John Locke and the Rhetoric of Modernity (Hardcover)
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To correct "a persistent distortion in our understanding of Locke
and thus in our understanding of what it means to be modern,"
Philip Vogt reassesses specific aspects of Lockean rhetoric: the
theory and use of analogy, the characteristic tropes, the topoi
that connected Locke with his original and later audiences. Vogt
argues that Locke was not, as commonly supposed, opposed to
figuration in language; that he did not rely on scientific
societies to police linguistic innovation in science, but trusted
instead to the authority of normal usage; that he was not a naive
empiricist who viewed the mind as a tabula rasa; and that his
commitment to the mechanical philosophical was not unconditional.
At the heart of Lockean linguistics and epistemology is an
elaborate-but hitherto neglected-"rule of Analogy" which governs
the ways we perceive the world, as well as the means by which we
convey our perceptions. Preceding Locke's famous invocation of the
"state of nature" to explain the social contract was an extensive
treatment of the prelapsarian condition as a "state of nature" in
its own right. To describe life in our fallen condition, Locke
relies on the metaphor of a ship which brings to the sensual
encounter with nature faculties that are fallible yet adequate to
the challenge. This vision-the aesthetic counterpart to the
probabilistic science emerging in Locke's day-appears
simultaneously in the seascapes of Willem van de Velde the younger.
Vogt concludes that the modern claim of human adequacy is the true
target of the postmodern reaction.
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