What should an actor be thinking on stage? This overlooked,
important question is the crux of this new book that combines
psychological theory, practical exercises, and a wide-reaching
examination of inner monologue in various forms including film,
musical theatre, and comedy. The inner monologue is that stream of
consciousness or inner voice that constantly echoes in your head.
This revolutionary new book tames and harnesses that voice to be
used as a powerful tool in acting. Written in an accessible tone,
the book assists actors, directors and educators in their quest for
deeper more thoughtful acting and is a perfect supplement to
traditional actor training.
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