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Dances with Darwin, 1875-1910 - Vernacular Modernity in France (Hardcover, New edition)
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Dances with Darwin, 1875-1910 - Vernacular Modernity in France (Hardcover, New edition)
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Examining the extraordinary influence of Darwin's theory of
evolution on French thought from 1875 to 1910, Rae Beth Gordon
argues for a reconsideration of modernism both in time and in place
that situates its beginnings in the French cafe-concert aesthetic.
Gordon weaves the history of medical science, ethnology, and
popular culture into a groundbreaking exploration of the cultural
implications of gesture in dance performances at
late-nineteenth-century Parisian cafe-concerts and music halls.
While art historians have studied the ties between primitivism and
modernism, their convergence in fin-de-siecle popular entertainment
has been largely overlooked. Gordon argues that while the impact of
Darwinism was unprecedented in science, it was no less present in
popular culture through the popular press and popular
entertainment, where it constituted a kind of "evolutionist
aesthetic" on display in the cafe-concert, circus, and music-hall
as well as in the spectator's reception of the representations on
the stage. Modernity in these sites, Gordon contends, was composed
by the convergence of contemporary medical theory with
representations of the primitive, staged in entertainments that
ranged from the can-can, Missing Links, and epileptic singers to
the Cake-Walk. Her anthropology of gesture uncovers in these
dislocations of the human form an aesthetic of disorder a half
century before the eruptions of Dada and Surrealism.
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