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Cinema of Simulation: Hyperreal Hollywood in the Long 1990s (Hardcover)
Loot Price: R4,831
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Cinema of Simulation: Hyperreal Hollywood in the Long 1990s (Hardcover)
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Total price: R4,841
Discovery Miles: 48 410
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Hyperreality is an Alice-in-Wonderland dimension where copies have
no originals, simulation is more real than reality, and living
dreams undermine the barriers between imagination and objective
experience. The most prominent philosopher of the hyperreal, Jean
Baudrillard, formulated his concept of hyperreality throughout the
1980s, but it was not until the 1990s that the end of the Cold War,
along with the proliferation of new reality-bending technologies,
made hyperreality seem to come true. In the "lost decade" between
the fall of the Berlin Wall and 9/11, the nature of reality itself
became a source of uncertainty, a psychic condition that has been
recognizably recorded by that seismograph of American
consciousness, Hollywood cinema. The auteur cinema of the 1970s
aimed for gritty realism, and the most prominent feature of
Reagan-era cinema was its fantastic unrealism. Clinton-era cinema,
however, is characterized by a prevailing mood of hyperrealism,
communicated in various ways by such benchmark films as "JFK, Pulp
Fiction," and "The Matrix." The hyperreal cinema of the 1990s
conceives of the movie screen as neither a window on a preexisting
social reality (realism), nor as a wormhole into a fantastic
dream-dimension (escapism), but as an arena in which images and
reality exchange masks, blend into one another, and challenge the
philosophical premises which differentiate them from one another.
"Cinema of Simulation: Hyperreal Hollywood in the Long 1990s
"provides a guided tour through the anxieties and fantasies,
reciprocally social and cinematic, which characterize the surreal
territory of the hyperreal.
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