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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism

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Cinema of Simulation: Hyperreal Hollywood in the Long 1990s (Paperback) Loot Price: R1,517
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Cinema of Simulation: Hyperreal Hollywood in the Long 1990s (Paperback): Randy Laist

Cinema of Simulation: Hyperreal Hollywood in the Long 1990s (Paperback)

Randy Laist

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Loot Price R1,517 Discovery Miles 15 170 | Repayment Terms: R142 pm x 12*

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Hyperreality is an Alice-in-Wonderland dimension where copies have no originals, simulation is more real than reality, and living dreams undermine the barriers between imagination and objective experience. The most prominent philosopher of the hyperreal, Jean Baudrillard, formulated his concept of hyperreality throughout the 1980s, but it was not until the 1990s that the end of the Cold War, along with the proliferation of new reality-bending technologies, made hyperreality seem to come true. In the "lost decade" between the fall of the Berlin Wall and 9/11, the nature of reality itself became a source of uncertainty, a psychic condition that has been recognizably recorded by that seismograph of American consciousness, Hollywood cinema. The auteur cinema of the 1970s aimed for gritty realism, and the most prominent feature of Reagan-era cinema was its fantastic unrealism. Clinton-era cinema, however, is characterized by a prevailing mood of hyperrealism, communicated in various ways by such benchmark films as JFK, Pulp Fiction, and The Matrix. The hyperreal cinema of the 1990s conceives of the movie screen as neither a window on a preexisting social reality (realism), nor as a wormhole into a fantastic dream-dimension (escapism), but as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation: Hyperreal Hollywood in the Long 1990s provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal.

General

Imprint: Bloomsbury Academic USA
Country of origin: United States
Release date: September 2016
Authors: Randy Laist
Dimensions: 229 x 152 x 19mm (L x W x T)
Format: Paperback
Pages: 272
ISBN-13: 978-1-5013-2003-3
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
LSN: 1-5013-2003-3
Barcode: 9781501320033

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